Partituras de Faber Music para descargar
Any Dirty Work To-day ? written and composed by Bert Lee and RP Weston, as performed by George Carney, arranged for voice and piano.
Any Dirty Work To-day ? written and composed by Bert Lee and RP Weston, as performed by George Carney, arranged for voice and piano.
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I Might Learn To Love Him Later On, written and composed by Bert Lee and RP Weston, as performed by Miss Violet Loraine, arranged for voice and piano.
I Might Learn To Love Him Later On, written and composed by Bert Lee and RP Weston, as performed by Miss Violet Loraine, arranged for voice and piano.
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Mother Machree, written by Chauncey Olcott and Ernest R Ball with words by Rida Johsnon Young, arranged for voice and piano.
Mother Machree, written by Chauncey Olcott and Ernest R Ball with words by Rida Johsnon Young, arranged for voice and piano.
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Being Different, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
Being Different, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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Another Time, Another Place, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
Another Time, Another Place, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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And You Don't Even Know It, from Everybody's Talking About Jamie. Arranged for piano and voice with guitar chords in digital sheet music format.
And You Don't Even Know It, from Everybody's Talking About Jamie. Arranged for piano and voice with guitar chords in digital sheet music format.
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In Our Hands, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
In Our Hands, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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Making A Home, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
Making A Home, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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Maybe, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
Maybe, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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We Are The Children Of Europe, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
We Are The Children Of Europe, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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We Will Smile, We Will Sing, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
We Will Smile, We Will Sing, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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Whatever I Do, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
Whatever I Do, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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Somebody Stole My Gal, written by Leo Wood, arranged for voice and piano.
Somebody Stole My Gal, written by Leo Wood, arranged for voice and piano.
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The Pretty Miss Brown, composed by Richard Addinsell with words by Arthur MacRae, from Living For Pleasure in the key of F Major arranged for voice and piano.
The Pretty Miss Brown, composed by Richard Addinsell with words by Arthur MacRae, from Living For Pleasure in the key of F Major arranged for voice and piano.
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Under A Blanket Of Blue, written by Jerry Levinson with words by Marty Symes and Al J Neiburg, arranged for voice and piano.
Under A Blanket Of Blue, written by Jerry Levinson with words by Marty Symes and Al J Neiburg, arranged for voice and piano.
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Give Me A Carriage With Eight White Horses, written by Fred Elton and Berl Rotfeld, as recorded by Dickie Valentine, arranged for voice and piano.
Give Me A Carriage With Eight White Horses, written by Fred Elton and Berl Rotfeld, as recorded by Dickie Valentine, arranged for voice and piano.
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Glen Echo (Will Ye No Come Home?), written by Harry Parr-Davies: with words by Michael Carr, arranged for voice and piano.
Glen Echo (Will Ye No Come Home?), written by Harry Parr-Davies: with words by Michael Carr, arranged for voice and piano.
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Miss Furr and Miss Skeene (from 'Loving Repeating'), written by Stephen Flaherty with words by Gertrude Stein, arranged for voice and piano.
Miss Furr and Miss Skeene (from 'Loving Repeating'), written by Stephen Flaherty with words by Gertrude Stein, arranged for voice and piano.
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Miss Furr and Miss Skeene: Introduction (from 'Loving Repeating'), written by Stephen Flaherty with words by Gertrude Stein, arranged for voice and piano.
Miss Furr and Miss Skeene: Introduction (from 'Loving Repeating'), written by Stephen Flaherty with words by Gertrude Stein, arranged for voice and piano.
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Good Clean Fun, written by Sandy Wilson from 'The Buccaneer', arranged for voice and piano.
Good Clean Fun, written by Sandy Wilson from 'The Buccaneer', arranged for voice and piano.
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The Gorilla, written by Kenneth Alwyn, as featured by Ian Wallace, arranged for voice and piano.
The Gorilla, written by Kenneth Alwyn, as featured by Ian Wallace, arranged for voice and piano.
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Her Presentation Dance, written by Hero De Rance, arranged for voice and piano.
Her Presentation Dance, written by Hero De Rance, arranged for voice and piano.
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Home-Coming, written by Mirrie Hill with words by Hugh McCrae. Arranged for piano and voice with in digital sheet music format.
Home-Coming, written by Mirrie Hill with words by Hugh McCrae. Arranged for piano and voice with in digital sheet music format.
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Hush-A-Bye, Ma Baby (The Missouri Waltz), from an original melody procured by John Valentine Peel, arranged by Frederic Knight Logan with words by James Royce Shannon, arranged for voice and piano.
Hush-A-Bye, Ma Baby (The Missouri Waltz), from an original melody procured by John Valentine Peel, arranged by Frederic Knight Logan with words by James Royce Shannon, arranged for voice and piano.
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This is an arrangement in G minor for voice and piano of 'La virgen lava pañales' for voice and orchestra, a Traditional Spanish work arranged by Colin Matthews.
This is an arrangement in G minor for voice and piano of 'La virgen lava pañales' for voice and orchestra, a Traditional Spanish work arranged by Colin Matthews.
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