Partituras de Felix Mendelssohn Bartholdy para orquesta

Mendelssohn's Elijah is an oratorio for SATB soli, SATB chorus, Orchestra and Organ, with the text derived from the Lutheran Bible by Julius Schubring. The English version of the text was translated b...

The Urtext edition of the 'Lobgesang' Symphony takes into account for the first time voice material prepared for the first performances in Leipzig and contributes to the clarification of several diffe...

Urtext nach der Leipziger Mendelssohn-Gesamtausgabe 28' 2.2.2.2. - 2.2.0.0. - Pk - Str - (Schmidt-Beste, Thomas). The land of artists is Germany, Mendelssohn wrote in 1831 of his trip from Italy, but...

With the performance materials for the Mendelssohn Complete Edition (LMA), the publisher fulfills its announcement to draw consequences as soon as possible after the publication of a complete edition...

The much-played 'Scottish', which incidentally Mendelssohn never called so, appears in the Urtext edition in a new light.

Gewiss hatte Robert Schumann recht, als er bald nach Beethovens Tod konstatierte, dass dessen Konzeption von der Sinfonie als großem, universellem Bekenntniswerk von der nächsten Komponistengeneration...

Die Ouvertüre zu Ruy Blas, die letzte von Felix Mendelssohn Bartholdy komponierte Ouvertüre, ist nicht als frei konzipierte Partitur, sondern als Eröffnungsstück einer Bühnenmusik entstanden. Allerdin...

Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today's concert repertoire. When in 1838 the composer in...

The Urtext edition of the 'Lobgesang' Symphony takes into account for the first time voice material prepared for the first performances in Leipzig and contributes to the clarification of several diffe...

Mendelssohn composed his concert piece op. 113 on a (single) December day in 1832 for the clarinetist friends Heinrich and Carl Baermann with the humorous subtitle 'Ein großes Duett für Dampfnudel ode...

Märker's Urtext edition is based on the first printing of the score in 1835.

The concert pieces op. 113 and 114 make special demands on source criticism.

Mendelssohn's Double Concerto in D minor is now no rare guest on concert programs.

Overture to 'A Midsummer Night's Dream' revealed by Mendelssohn's autograph

With the performance materials for the Mendelssohn Complete Edition (LMA), the publisher fulfills its announcement to draw consequences as soon as possible after the publication of a complete edition...

A repertoire work in the Urtext for practice edited by Christoph Hellmundt.

Felix Mendelssohn Bartholdy created a standard work with his final violin concerto in E minor op. 64 MWV O 14 that is now firmly established in today's concert repertoire. When in 1838 the composer in...