Partituras de George Frideric Hanpara voz

para soprano, tenor, oboe, fagot, dos violines, viola y bajo continuo. "As Steals the Morn" (El hombre alegre, el hombre pensativo y el hombre moderado), fue compuesta en 1740. Se describe como una "O...

Cuatro Canciones Sobre Textos De Lope De Vega por Rafael Rodriguez Albert.

Die Stücke waren ursprünglich für den Unterricht gedacht; zum einen sollte mit Ihnen die Ausgestaltung eines bezifferten Genealbasses, zum anderen die Techniken des Belcanto-Singens vermittelt und geü...

Händel compuso estos nueve movimientos a dos voces para soprano y bajo instrumental entre 1728 y 1747. Sólo existen conjeturas sobre las razones de su composición y datación exacta. Händel subrayó la...

Urtext de la edición de Halle Handel. Gran orquesta, soprano solista (3), contralto solista, bajo solista, tenor solista (2) - reducción para piano; Edición completa; Edición Urtext V o k A l m u s i...

Urtext de la edición de Halle Handel. Gran orquesta, soprano solista (3), contralto solista, bajo solista, tenor solista (2) - reducción para piano; Edición completa; Edición Urtext V o k A l m u s i...

En 2001, el musicólogo hamburgués Hans Joachim Marx descubrió en la Royal Academy of Music de Londres una composición hasta entonces desconocida de George Frideric Haendel. El Gloria para soprano soli...

Alt (Bass) und Orgel.

Alt (Bass) und Orgel.

Do, a deer, ' sang Maria von Trapp in The Sound of Music. That method of a capella pedagogy is called tonic sol-fa, a form of solfege invented in the early 1800's by one Sarah Ann Glover and later dev...

The style of this cantata suggests an early date with the use of a dance-form ariette typical in operas from Hamburg, including Handel's.

This cantata was written in 1708 when Handel is known to have been in Naples, with text referencing the river Volturno.

It is believed this cantata was written for Senesino when he arrived in England in 1720, however this volume was not complete until 1722.

The autograph would seem to identify this work as having an English provenance; corroborated by the lack of key signature in the recitative and highly embellished melodic style..

The style of this cantata points to an Italian provenance, due to the survival of a copy in an Italian manuscript.

Handel must have particularly enjoyed the light and airy first aria, as versions of it can be found in a number of his works, including Rodrigo, Io languisco, and Il pastor fido.

This aria has been dated to 1722, and, also like Deh! Lasciate, it may have been written for the castrato Senesino.