Partituras de George Frideric Hanpara voz
A highly ornamanted cantata, possibly written for a single singer, and, based on style comparisons, this may have been castrato Valentini.
A highly ornamanted cantata, possibly written for a single singer, and, based on style comparisons, this may have been castrato Valentini.
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- Oxford University Press
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This cantata is unusual in that its text is addressed to a man, with the persistent use of the masculine form 'caro' rather than 'cara'.
This cantata is unusual in that its text is addressed to a man, with the persistent use of the masculine form 'caro' rather than 'cara'.
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- Oxford University Press
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This cantata was originally composed for the marquis Ruspoli in the soprano range.
This cantata was originally composed for the marquis Ruspoli in the soprano range.
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- Oxford University Press
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Qualor crudele survives in twelve sources, all of which are of English origin. Aspects of the text suggest a Neapolitan provenance.
Qualor crudele survives in twelve sources, all of which are of English origin. Aspects of the text suggest a Neapolitan provenance.
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- Oxford University Press
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The original autograph for soprano can be associated with Handel's brief journey to Naples in spring and early summer of 1708.
The original autograph for soprano can be associated with Handel's brief journey to Naples in spring and early summer of 1708.
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- Oxford University Press
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The dating of the autograph suggests that the cantata was written for the castrato Valentini.
The dating of the autograph suggests that the cantata was written for the castrato Valentini.
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- Oxford University Press
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Because of the extensive bass figures in the autographs, this has been associated with the group of so-called pedagogical cantatas.
Because of the extensive bass figures in the autographs, this has been associated with the group of so-called pedagogical cantatas.
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- Oxford University Press
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The earliest surviving source for Stanco di più soffrire may be the copy in the Santini collection prepared by Angelini, which is a third higher.
The earliest surviving source for Stanco di più soffrire may be the copy in the Santini collection prepared by Angelini, which is a third higher.
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- Oxford University Press
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- Voz (grave) y piano
- Partituras para descargar
- Klaus Heizmann
- Schott Musik
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- Voz (grave) y piano
- Partituras
- Novello Publishing
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disponible en 3-4 semanas
G F Handel (1685-1759) was a German-born British composer and organist who spent his life working in London. He is credited with popularising opera and oratorio in Britain, both importing Italian work...
G F Handel (1685-1759) was a German-born British composer and organist who spent his life working in London. He is credited with popularising opera and oratorio in Britain, both importing Italian work...
- Voz (grave) y piano
- Partituras
- Novello Publishing
-
disponible en 3-4 semanas
Handel's 'Honour And Arms' arranged for a bass voice and piano part.
Handel's 'Honour And Arms' arranged for a bass voice and piano part.
- Voz (grave) y piano
- Partituras
- Novello Publishing
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disponible en 3-4 semanas
Song for Medium Voice in the Key of F, with Piano accompaniment, by George Frideric Handel. With words by W. G Rothery.
Song for Medium Voice in the Key of F, with Piano accompaniment, by George Frideric Handel. With words by W. G Rothery.
- Voz (media) y piano
- Partituras
- Novello Publishing
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disponible en 3-6 días laborables
- Voz (media) y piano
- Partituras
- Editions Durand
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disponible en 3-6 días laborables
- Voz (media) y piano
- Partituras
- Novello Publishing
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disponible en 3-4 semanas
- Voz (media) y piano
- Partituras
- Novello Publishing
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disponible en 3-4 semanas
This celebratory worship song, by George Frederic Handel, was composed in 1724. I Will Magnify Thee is set for Contra-Alto with Piano accompaniment.
This celebratory worship song, by George Frederic Handel, was composed in 1724. I Will Magnify Thee is set for Contra-Alto with Piano accompaniment.
- Voz (media) y piano
- Partituras
- Paterson Ltd.
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disponible en 3-4 semanas
- Voz (aguda) y órgano
- Partitura general
- Anton Böhm & Sohn Musikverlag
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disponible en 3-4 semanas
Sopran solo, Basso continuo Cantata con stromenti für Singstimme und Tasteninstrument - Faksimile und Übertragung
Sopran solo, Basso continuo Cantata con stromenti für Singstimme und Tasteninstrument - Faksimile und Übertragung
- Voz (aguda) y bajo continuo
- Partituras (facsímil)
- Bärenreiter Verlag
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disponible en 2-4 días laborables
Renowned for his magnificent oratorios, this exceptional compilation includes 40 of his works for high voice and piano selected from 25 of his masterpieces including Messiah, Judas Maccabaeus, Samson...
Renowned for his magnificent oratorios, this exceptional compilation includes 40 of his works for high voice and piano selected from 25 of his masterpieces including Messiah, Judas Maccabaeus, Samson...
- Voz (aguda) y piano
- Partituras
- Dover Publications
-
disponible en 3-6 días laborables
- Voz (aguda) y órgano
- Partituras
- Edizioni Carrara
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disponible en 3-4 semanas
- Voz (aguda) y piano
- Partituras para descargar
- Klaus Heizmann
- Schott Musik
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Song for High Voice in the Key of A Flat, with Piano accompaniment, by George Frideric Handel. With words by W. G Rothery.
Song for High Voice in the Key of A Flat, with Piano accompaniment, by George Frideric Handel. With words by W. G Rothery.
- Voz (aguda) y piano
- Partituras
- Novello Publishing
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disponible en 3-4 semanas
Handel's setting of the text I Know That My Redeemer Liveth is from his great Oratorio Messiah, arranged as a solo song for Soprano voice.
Handel's setting of the text I Know That My Redeemer Liveth is from his great Oratorio Messiah, arranged as a solo song for Soprano voice.
- Voz (aguda) y piano
- Partituras
- Novello Publishing
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disponible en 3-4 semanas
G. F. Handel's Twelve Songs From The Oratorios for Tenor voice and Piano.
G. F. Handel's Twelve Songs From The Oratorios for Tenor voice and Piano.
- Voz (aguda) y piano
- Partituras
- Novello Publishing
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disponible en 3-4 semanas
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