Partituras de Giovanni Pierluigi da Palestrina para coro femenino

This widely performed Renaissance motet is now available in an SSA edition. Transposed up a fourth from the original key of F major, the beauty of Palestrina's polyphonic writing is maintained while m...

Introduce your SSA ensembles to Renaissance style with this edition of the 3-voice Palestrina masterwork. Available: SSA a cappella. Performance Time: Approx. 2:00.

Jameson Marvin, through his work with Harvard and Radcliffe, has re-established the importance of teaching polyphony in the modern choral classroom. This beautiful setting of the Magnificat by Palestr...

Jameson Marvin, through his work with Harvard and Radcliffe, has re-established the importance of teaching polyphony in the modern choral classroom. This beautiful setting of the Magnificat by Palestr...

Palestrina's setting of the Marian motet Alma Redemptoris Mater seamlessly interweaves each of the four independent voices based on the solemn tone of the corresponding chant. Offprinted from The Oxfo...

This widely performed Renaissance motet is now available in an SSA edition. Transposed up a fourth from the original key of F major, the beauty of Palestrina's polyphonic writing is maintained while m...

Two choral classics from the Renaissance period - 'Adoramus Te' (Palestrina) and 'Ave Maria' (Arcadelt) - are now available in this easy SATB edition. They were previously released in men's, women's,...

Two choral classics from the Renaissance period - 'Adoramus Te' (Palestrina) and 'Ave Maria' (Arcadelt) - are now available in this easy SATB edition. They were previously released in men's, women's,...

Frauenchor - SSAA Renaissance/Barock

Frauenchor - SSAA Renaissance/Barock

Frauenchor - SSAA Renaissance/Barock

Frauenchor (SSMezA) - lateinisch

The text of this motet is taken from the Palm Sunday antiphon, which celebrates the entry of Jesus into Jerusalem. The repeated 'hosanna' phrases at the end of the motet bear witness to Palestrina's m...

This joyful motet begins with a compelling homophonic opening, before exploring imitative writing between all voices. A contrasting motif of descending scales is introduced halfway through to reflect...