Partituras de Gospel de Walton Music

Duration: ca. 3:00.

A great spiritual for good middle school choirs! Its format of call-and-response requires a strong soloist (or a string of them), with the choir. Truly inspiring and with great energy! Duration: ca. 3...

Stacey Gibbs' setting of My God Is a Rock is dynamic and challenging, while still upholding the authenticity of the spiritual. Texturally captivating and unique in its construction. Features two trebl...

A tremendously rhythmic and driving setting of this spiritual. Gibbs takes some unexpected harmonic turns throughout, resulting a fresh and unique arrangement. MP3 recording: The University of Alabam...

This beautiful arrangement marries the traditional African-American Spiritual melody of Steal Away with a quasi-improvisational ostinato accompaniment. Suitable for both church and concert, this will...

Expect the unexpected here! This setting for choir and optional ad lib. solo is written in contemporary gospel style with a sixteenth shuffle funk groove. Originally arranged for combined treble choir...

This lesser-known spiritual has been masterfully and simply set by Anthony Trecek-King. Singers are encouraged to use improvisation, inflections, and note bending to create the most authentic sound. A...

Composer John Wykoff has set the familiar spiritual Soon I Will Be Done in a completely new way. While other settings exist, none treat the source material with deadly seriousness, as a personal requi...

Trouble the Water combines three well-loved spirituals-Wade in the Water, I Wanna Die Easy, and Didn't My Lord Deliver Daniel-to create an incredibly effective and dynamic work. All of the divisi come...

Remember the Children expresses the concerns that all people - particularly parents - have for bringing up the younger generation in this trying world. The combination of the English lyrics with their...

This arrangement of the beloved 18th-century spiritual fuses folk and jazz ideas to create a unique new version of the work. For more advanced choirs and a good soloist, this will fit a variety of pro...

A lovely and straightforward setting of the well-known spiritual by Roland Carter.

Written in the Gospel style, United joyfully expresses the idea that when we are united we make a better way together. Upbeat, rhythmic, and full of life, this piece will make an excellent concert ope...

Robert T. Gibson's fantastic arrangement of This Little Light of Mine will appeal to many levels of mixed choruses. Singable and skillfully arranged, this setting is fun, exciting, and captures the ge...

Inspirada en la interpretación de Reginald Mobley en el álbum Because, nominado a los Grammy, esta versión de Sometimes I Feel Like a Motherless Child cuenta con el piano jazz de Baptiste Trotignon y...

Written for the inaugural 2005 Florida TTBB All-State Chorus, this can be performed effectively as a processional. A hopeful, upbeat South African freedom song that continues to motivate singers and l...

A TB/two-hand piano version of Davison's original O Sing to the Lord for TTBB choir and four-hand piano. A strong, yet accessible, concert opener. Multi-rhythms enhance the excitement of this majestic...

The incomparable Uzee Brown has set this dynamic spiritual for men's voices. Fantastic vocal writing supported by a solid piano accompaniment along with opportunities for a soloist make this an excell...

Inspirado en la actuación de Reginald Mobley en el álbum nominado al Grammy Because, este arreglo de My Lord, What a Morning cuenta con piano de jazz de Baptiste Trotignon y voz arreglada por Susan La...

Written for the famous Tapiola Choir. With its different style elements, this playful setting also draws on the traditional American swing style, making it a fun audience piece in any program! Availab...

This beautiful hymn has been set by Stephen Murphy using techniques from both jazz and gospel styles. For more advanced choirs.

A spiritual about life after death and seeing loved ones on the other side. An energetic arrangement for SATB choirs with ever-present joy.