Partituras de Hal Leonard para orquesta de vientos

Here is an exciting new work for younger groups written entirely using a single tempo. The opening unison melody is used as a focal point which is developed and expanded throughout. Douglas Akey uses...

It would be difficult to find another grade 2 selection with as much drama and musical depth as this impressive work from young band master, Michael Sweeney. Depicting the momentous events of the fina...

Named for the uninhabited island off the North Carolina coast where wild horses still roam, this energetic original features a distinct western flavor with strong themes and solid scoring throughout....

Rarely does a Grade 2 composition contain as much musical depth and variety as this powerhouse from the pen of Michael Sweeney. The impressive opening strains lead to a fast-paced ostinato accompanyin...

Here is something different for contest or festival. Written in the style of a tone poem, this work uses minimal melodic development but builds emotional intensity through changing textures and evolvi...

The Brittany, or Breton, region of France has been heavily influenced by Celtic traditions, retaining much of its earlier heritage from Scotland and Wales. This composition evolves from four folk danc...

Composed in two stylistically contrasting sections, here is a unique and dynamic work that is definitely something out of the ordinary. The first section opens with dark sonorities and mysterious effe...

Written entirely in one tempo, but with the meter alternating between 4/4 and 6/8 throughout, Richard Saucedo creates an ingenious effect of pulsating motion along with layers of textures and sounds....

We Meet Again is a regal overture for developing bands that evolves from a powerful fanfare into a fugue-like allegro section, building to a glorious ending. This concise concert opener will excite yo...

Paying tribute to the storied F-16 Fighting Falcon jet fighter (known to pilots as the Viper and flown by the USAF Thunderbirds), this unique and fresh-sounding overture from Jay Bocook is characteriz...

You can sense right from the start that someone is sneaking around to give that unexpected surprise to a friend or foe! The percussion provide a simple but effective groove, and a jazzy middle section...

The haunting melody of this traditional tune likely dates to the Middle Ages, and was published by British composer Ralph Vaughan Williams in the 1906 English Hymnal. Freely adapted by Johnnie Vinson...

The mission of United Sound, Inc. is to provide musical performance experiences for students with special needs. In this program, each student is mentored by three general education students already i...

Tuneful and rhythmic' describe the Slavonic Dances by Dvorák, and part of what makes them so immediately appealing. This setting of Slavonic Dance No. 3 alternates between a moderate tempo and faster...

This exciting overture from Richard Saucedo pays tribute to the distinctive and appealing musical style of classic band composer Caesar Giovannini. Featuring rhythmically dynamic opening and closing s...

Composed using a single, yet driving tempo, Shadow Dancer incorporates a repeating syncopated rhythmic figure as its foundation. Every section is provided a melodic opportunity as the various instrume...

Exploring some of the most well-known traditional folk tunes from Korea, here is an appealing and well-paced suite for young players. Let's Sing and Dance starts slowly then gradually speeds up simila...

Written in a sophisticated and dynamic style, this work from James Curnow is more impressive sounding than the easy grade level would indicate. Opening with a rhythmic and intense toccata, this theme...