Partituras de Hannah Lash para conjunto

In writing Music for Eight Lungs I wanted to treat the voice similarly to the instruments, so that the piece would weave all four parts into a fabric equally. But I also wanted to play with our percep...

Three Shades Without Angles is a piece that plays with the idea of transformation of musical shapes. When writing this piece, I was inspired by Auguste Rodin's sculpture The Three Shades, a detail sit...

Form and Postlude is a piece in one continuous movement but with a distinct postlude which ends the work. I play throughout with the idea of pacing on many levels: the largest level is the idea of pro...

Folksongs is a piece about transformation and dichotomy. Its premise is to use very simple, almost homely materials, and to transform and manipulate them in complex ways. The first movement uses a mel...

Subtilior, Lamento is a piece that draws some inspiration from the music of the so-called 'Ars Subtilior' movement of the fourteenth century. This early music features rhythmic complexities, linear or...

Three Shades Without Angles is a piece that plays with the idea of transformation of musical shapes. When writing this piece, I was inspired by Auguste Rodin's sculpture The Three Shades, a detail sit...

Form and Postlude is a piece in one continuous movement but with a distinct postlude which ends the work. I play throughout with the idea of pacing on many levels: the largest level is the idea of pro...

Subtilior, Lamento is a piece that draws some inspiration from the music of the so-called 'Ars Subtilior' movement of the fourteenth century. This early music features rhythmic complexities, linear or...

The idea for this piece came to me after my computer was stolen. Stored on my hard drive was years worth of compositional work, which I am embarrassed to admit I had backed up only sporadically and ra...