Partituras de Jazz de Hal Leonard

Originally a hit for Louis Armstrong in 1967, this touching ballad continues to be popular today and is heard regularly in TV and film. Nicely arranged here for beginning players.

Originally a hit for Louis Armstrong in 1967, this touching ballad continues to be popular today and is heard regularly in TV and film. Nicely arranged here for beginning players.

Originally a hit for Louis Armstrong in 1967, this touching ballad continues to be popular today and is heard regularly in TV and film. Nicely arranged here for beginning players.

Originally a hit for Louis Armstrong in 1967, this touching ballad continues to be popular today and is heard regularly in TV and film. Nicely arranged here for beginning players.

Originally a hit for Louis Armstrong in 1967, this touching ballad continues to be popular today and is heard regularly in TV and film. Nicely arranged here for beginning players.

The 1990s saw a popular revival of big band swing, and no one did it better than the Brian Setzer Orchestra. From the landmark album Dirty Boogie, this a cappella setting of the 16-bar blues classic w...

Here is a touching standard from The Music Man in a beautiful a cappella setting by Kirby Shaw. The jazz harmonies will enchant your singers and your audience. Available for SATB and SSAA a cappella....

The 1990s saw a popular revival of big band swing, and no one did it better than the Brian Setzer Orchestra. From the landmark album Dirty Boogie, this a cappella setting of the 16-bar blues classic w...

The 1990s saw a popular revival of big band swing, and no one did it better than the Brian Setzer Orchestra. From the landmark album Dirty Boogie, this a cappella setting of the 16-bar blues classic w...

One of the classic early hits by the Beatles, this catchy tune features an immediately recognizable melody and a driving swing/shuffle style. Included in this version for young players is the famous g...

Here's a great-sounding slow blues from master jazz pianist and composer Red Garland. Terry White's version for young players features tenor sax and trumpet on the head followed by the full sax sectio...

Creatively set in the style of New Orleans street beat, here is a new take on an old favorite. A perfect example of an early jazz tune that stands the test of time, this one is sure to add an element...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...

There's no better jazz form for aspiring soloists than the blues! Here's a great-sounding original from the pen of Mark Taylor written in a medium tempo with as nice swing feel. Saxes take the lead to...