Partituras de Jörg Widmann para descargar

Widmann's Études für Violine solo are in the tradition of Paganini's Capricen or the piano études by Chopin, Liszt and Ligeti: artistically autonomous concert pieces on one specific technical problem...

'Ein Orakelspruch für sechs Kontrabässe' (An oracle for six double-basses) - this is how Widmann calls his composition which he wrote upon commission of the Berlin Philharmonic Orchestra on the occasi...

The five strings quartets by Jörg Widmann are compact studies, like those of his teacher Wolfgang Rihm. Performed individually, the focus is on the respective central technical and aesthetic idea. Per...

My 2nd string quartet is one single slow movement. The piece does not directly reflect Joseph Haydn's Seven Last Words but I would not have been able to write it without knowing that work. The movemen...

The Jagdquartett (Hunt Quartet), which Jörg Widmann wrote as his third string quartet in 2003, following the Choralquartett, also begins with a visible gesture. After a short signal cry from the perfo...

This 'Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken...

The horn piece 'Air' requires a highly virtuosic technique, as indeed it should since it was composed in 2005 as the compulsory piece for the 54th International Music Competition of the ARD. At the sa...

Jörg Widmann, an internationally sought-after soloist and professor of clarinet at the Freiburg Musikhochschule, displays the exquisite refinement of contemporary clarinet sound in 'Fünf Bruchstücke'...

After several pieces dealing with flow and mastery of a large-scale form, in 1997 I became fascinated by the idea of Bruch pieces: reduction, abridgement, concentration. The instruments I had grown fo...

Widmann views in his 'Three Shadow Dances' again the clarinet from a completely different perspective and thereby encourages young clarinetists to develop an enthusiastic and playful approach to micro...

In 2006, Jörg Widmann composed these noble, deliberately simple cadenzas for Mozart's violin concerto as a commission from the Schleswig-Holstein Music Festival and violinist Isabelle van Keulen. In t...

Jörg Widmann treats the violon at first as a vocal instrument, just in the tradition of the great violin concertos of the 19th century through to Alban Berg. But from the cantabile lines, often writte...

I wrote the first movement of my Sommersonate in the summer of 2010, and though a self-contained work, it called out for continuation or a companion piece. I imagine the first movement, marked moderat...

This virtuoso alienation of the 'Bavarian Defilier March', which is not only familiar to visitors of the Oktoberfest, is an avant-garde joke for the whole clarinet family. A Babylonian musical confusi...

Referring to Robert Schumann, the title sets the general mood of these character pieces which alternate between Romantic and contemporary tonal language. This is how the composer stresses it in his pr...

Widmann's Intermezzi are influenced by the famous cycles of Johannes Brahms (Op. 116 - Op. 119) which are cited quite frequently. In the preface of the edition, Widmann hints at its 'unsettling reduct...

My dark and shadowy piano Intermezzi are followed by these Zirkustänze [circus dances]. They are naturally - on a superficial level - simpler, more cheerful, brighter and also more garish, drastic and...

'Fleurs du mal' ostensibly fits into the traditional pattern of the three-movement piano sonata and conforms to rudimentary sonata form. Yet the formal restrictions - including the predominance of the...

This piece was composed by Jörg Widmann for the Italian pianist Irene Russo in 2003. Consisting only of sharp pulse patterns and their lingering sound, it explores the tonal possibilities of the whole...

Lichtstudie III ist eine Studie zur Variabilität pianistischer Clusterbildungen. Inspiriert von den Raum-Licht-Installationen James Turrells wird eine Statik von Klangflächen erprobt, ein introspektiv...