Partituras de Johann Sebastian Bach para orquesta

Orchestration: 2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon (or Clarinet 3) 2 Horns in F, 2 Trumpets in Bb, Trombone Strings (Violin 1, Violin 2, Viola, Cello, Bass) Piano (optional) This arrangement of...

Orchestration: 2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon (or 3rd clarinet) Strings (Violin 1, Violin 2, Viola or Violin 3, Cello, Bass) Keyboard Continuo for Chorale only:- Choir (SATB) [optional] Th...

Orchestration: Flute (or Clarinet in Bb), 2 Clarinets in Bb Horn in F or Eb, 3 Trombones, Tuba Strings (Violins %26 Violas, Cello/Bass) This famous piece from Bach's Cantata No.140 is fundamentally qu...

Los Conciertos de Brandemburgo son una colección de seis obras instrumentales de Johann Sebastian Bach (1685-1750) escritas alrededor o antes de 1721 para ser presentadas a Christian Ludwig, Margrave...

Los Conciertos de Brandemburgo son una colección de seis obras instrumentales de Johann Sebastian Bach (1685-1750) escritas alrededor o antes de 1721 para ser presentadas a Christian Ludwig, Margrave...

The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...

The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

EIN' FESTE BURG IST UNSER GOTT ("Fortaleza poderosa es nuestro Dios") es uno de los himnos más conocidos escritos por el reformador Martín Lutero, y ha sido utilizado por muchos compositores, entre el...

EIN' FESTE BURG IST UNSER GOTT ('A Mighty Fortress Is Our God') is among the best known hymns written by reformer Martin Luther, and has been used by many composers, including by J.S. Bach, in various...

J.S. Bach (1685-1750) escribió la "Cantata de caza" (Jagdkantate) profana en 1713 con motivo del cumpleaños del duque Christian von Sachsen-Weisenfels. Sachsen-Weisenfels, un apasionado de la caza. El...

J.S. Bach (1685-1750) escribió la "Cantata de caza" (Jagdkantate) profana en 1713 con motivo del cumpleaños del duque Christian von Sachsen-Weisenfels. Sachsen-Weisenfels, un apasionado de la caza. El...

Orchestration: 2 oboi d'amore, strings and b.c.

Orchestration: 1 oboe, 1 bassoon. Strings (violas divided) and b.c.

Johann Sebastian Bachs Magnificat BWV 243 ist eine opulente Festmusik, die in vielerlei Hinsicht eine Besonderheit in seinem Œuvre darstellt. Die erste Fassung (Es-dur, BWV 243.1) erfährt ihre Urauff...

The present piano reduction by Günter Raphael was published together with the source-critical new edition of the complete performance material. The editor Gerd Sievers reverted to the original score (...

The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...

The aim of the critical-practical edition is to bring the performance material for this standard work of Baroque music literature into line with the current state of knowledge and to satisfy practical...