Partituras de John Caponegro para orquesta de cuerda

Most often heard during the holiday season but appropriate all year long, this familiar English tune lets students focus on playing with warm expression and good intonation. Great change-of-pace fare...

Featuring simple fiddle-style figures, this winning original in G opens with pyramid entrances by each section and a tutti presentation of the main theme before the canonic portion begins. When the ro...

Scored at a grade 2+, this medley includes the classic Irish favorites, Stack O' Barley, Londonderry Aire, and McNamara's Band. This is a worthy concert selection utilizing contrasting themes that wil...

Here's a fun piece that your beginning string students will ask to play again and again!

This imaginative jazz waltz based on a standard blues chord progression will be a refreshing change-of-pace for any concert program and provides a great opportunity to teach students to swing 8th note...

He aquí una divertida pieza que tus alumnos de cuerda principiantes te pedirán tocar una y otra vez.

This imaginative jazz waltz based on a standard blues chord progression will be a refreshing change-of-pace for any concert program and provides a great opportunity to teach students to swing 8th note...

This imaginative jazz waltz based on a standard blues chord progression will be a refreshing change-of-pace for any concert program and provides a great opportunity to teach students to swing 8th note...

These charming minuets in 3/4 time are perfect for developing good intonation, rhythm, bowing and musical expression skills. Some easy contrapuntal textures will familiarize students with the Baroque...

This original by one of the industry's top writers begins as a leisurely chorale that tunefully moves into a march. Extensive doubling of the 2nd Violin and viola parts allows directors to move more p...

This regal selection from the oratorio Judas Maccabeus by Handel is playable entirely in first position. Accidentals are few, phrasing patterns and rhythms are customary, and melodic duties are not li...

An excellent example of Baroque literature in a non-contrapuntal style, the parts in this setting are technically simple so directors can focus on concepts of musicality and interpretation during rehe...

Scored in G and D, this simplified version of Beethoven's 9th Symphony theme features dramatic crescendos, clear bowing indications, and some pizzicato work for cellos and basses. It also assigns some...

This setting of a simple 8-bar canon written by Thomas Tallis in the 16th century affords young strings a wonderful chance to experience the challenge and thrill of playing contrapuntal textures. It f...

Skillfully arranged by one of the most creative educational string writers around today, this adaptation of two popular Nutcracker themes will be a concert favorite at Christmas time for years to come...

This well-known tune from Franz Schubert's song Die Forelle (The Trout) was also used in the 4th movement of his famous Trout Quintet. It is a tale about a large trout living in a pond and the efforts...

This familiar toasting song from Verdi's opera La Traviata is presented here in an elegant and accessible arrangement. Scored in the familiar performance keys of G and D major for students, the waltz-...

Haydn's works often contained musical jokes, and the Surprise Symphony (#94) includes the most famous of all -- a sudden loud chord in the theme of the second movement after a tranquil opening. The mu...

This tuneful, highly-rhythmic piece in G major portraying a classic fox hunt features excellent material for students who are just becoming familiar with the 6/8 time signature. Duration 1:20. Availab...

This will be a big hit with young groups since this kind of counterpoint relies on all players to carry melodic material. Then for extra fun, they also play the round backwards. This piece provides go...

Wolfgang Amadeus Mozart's next-to-last symphony is presented here in a challenging, yet accessible arrangement. Set in the key of E minor, this version contains both primary and secondary themes of th...

This well known piano piece by Jean-Philippe Rameau is tastefully arranged here in the key of E minor and is playable exclusively in 1st position. Serving as a wonderful introduction to Baroque orname...

Scored in D, this masterful adaptation of Pachelbel's famous theme assigns all 16th-note passages to 1st Violins so the other sections can focus on providing solid support with good intonation and a s...