Partituras de Johnny Mercer para Big Band

Originally composed for the 1963 film The Pink Panther, this unique tune has enjoyed renewed popularity thanks to the energetic samba version recorded by Michael Bublé. This one is fun for vocalist an...

Originally composed for the 1963 film The Pink Panther, this unique tune has enjoyed renewed popularity thanks to the energetic samba version recorded by Michael Bublé. This one is fun for vocalist an...

Originally composed for the 1963 film The Pink Panther, this unique tune has enjoyed renewed popularity thanks to the energetic samba version recorded by Michael Bublé. This one is fun for vocalist an...

Originally composed for the 1963 film The Pink Panther, this unique tune has enjoyed renewed popularity thanks to the energetic samba version recorded by Michael Bublé. This one is fun for vocalist an...

Originally composed for the 1963 film The Pink Panther, this unique tune has enjoyed renewed popularity thanks to the energetic samba version recorded by Michael Bublé. This one is fun for vocalist an...

Originally composed for the 1963 film The Pink Panther, this unique tune has enjoyed renewed popularity thanks to the energetic samba version recorded by Michael Bublé. This one is fun for vocalist an...

Here is a wonderful vocal chart by Lennie on this unforgettable standard. The setting is a ballad, with a rubato section in the middle. Jean Turner performed this for years with the Stan Kenton Band....

Here is our take on Nelson Riddle's beautiful chart written for Ella Fitzgerald. We have adapted this chart to make it playable with a regular 5444 big band line-up, whilst keeping the feel and flavou...

This well-known standard from the 1940s never sounded quite like this! Featuring a slow, simmering shuffle funk style, the rhythm section lays down the groove with the trombone section playing the tun...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...

Arranged here in a funky New Orleans style, the full ensemble takes the first statement after the piano intro. The spotlight then moves between the saxes amd the brass before a feature solo spot for t...