Partituras de Latina dificil

Nobody does cha-cha like Michael Mossman. This inventive original features a smooth harmonic structure and a nice blend of inventive melodies with carefully crafted accompaniment figures. The solo sec...

As the title implies, this Michael Mossman original captures a Bolivian style utilizing various layers of sound and shifting moods. Trombones are featured first, but every section of the band gets a w...

Here's Dizzy Gillespie's classic in an outstanding Latin setting for full jazz ensemble by Mark Taylor. Just what you would expect from a quality arranger working with a quality tune, this smokin' cha...

Composed and arranged by Gordon Goodwin, this buoyant samba is sweet. Soprano sax lead and solo space available for soprano, alto, tenor, trumpet and trombone. Lead trumpet range is to written high F-...

Recorded by Chick Corea and Origin on the CD “Change,” this high-energy syncopated number is filled with intricate melodies and creative harmonies. This challenging arrangement will stretch your playe...

Exactly as recorded by the Toshiko Akiyoshi-Lew Tabackin Big Band on their classic RCA album, Tales Of A Courtesan, this solo feature for trombone or flugelhorn also includes an improvised flute obbli...

This chart for proficient groups utilizes a driving Afro-Cuban 12/8 feel to simulate the power and tension of a full strength hurricane. When you're not experiencing mental images of a raging storm ma...

This original for proficient groups is a sure bet for getting your audiences and judges engaged. Effective salsa rhythms are utilized throughout and the brass ranges are moderate. Duration 5:00.

This is the great Horace Silver Latin standard. This chart features the lead alto and 4th trumpet. They get the melody and then each get a chance to solo. Lots of cool ensemble at the end. Trumpet to...

An exciting samba at 200 BPM. Little band instrumentation is tenor, trumpet, trombone, piano, bass, guitar, and drums, and the chart includes solo space for all. (1:35)

Rumba Surprise rebosa de caprichos rítmicos: fuera de compás, síncopas y acentos desplazados, adornados con toques de percusión y pizzicati. Como un soplo de aire fresco, un segundo movimiento más len...

Arrangement for piano by Kyoko Yamamoto.

'Big Blue Eyes' is jolly Latin pop piece for soloist and Concert Band. Originally written for Flugelhorn and band but it can be played on any instrument. Solo parts are written in many keys. The sol...

In The Dancehall of The Mountain King fue un encargo de la banda de la Real Fuerza Aérea Noruega para el concierto inaugural del Norwegian Military Tattoo 2025, que el arreglista también dirigió. Se t...

Inspirada en una famosa melodía popular escocesa, Bluebells of Scotland ha sido objeto de numerosos arreglos a lo largo de los años. La versión más conocida es, sin duda, la del compositor y trombonis...

Inspirada en una famosa melodía popular escocesa, Bluebells of Scotland ha sido objeto de numerosos arreglos a lo largo de los años. La versión más conocida es, sin duda, la del compositor y trombonis...

Canción para un clarinetista' - this 'song for a clarinetist' is dedicated to one of the most outstanding clarinetists and pedagogues in Cuba, a graduate of the National School of Art in Havana / Cuba...

Bordel 1900 : The tango was born in Buenos-Aires in 1882. It was first played on the guitar and the flute. The piano was added later, followed by the bandoneon. It is music full of charm and vivacity,...

Recorded on the 'The New Sound of Maynard Ferguson and his Orchestra 1964,' this is the original version of the chart (instrumentation 4 saxophones, 4 trumpets, 2 trombones, Piano, Bass and Drums) as...

Recorded on the 'The New Sound of Maynard Ferguson and his Orchestra 1964,' this is an edited version of the chart (instrumentation 5 saxophones, 4 trumpets, 4 trombones, Piano, Guitar, Bass and Drums...

La Rumba es una de las formas más icónicas e infecciosas de la música afrocubana, y esta incendiaria tabla contiene un intenso golpe en ambos extremos de una elegante y nostálgica característica de vi...

as recorded by Arturo Sandoval on 'Hot House'