Partituras de Leoš Janáček para orquesta

With his third opera Jenufa Leo(s< Janácek succeeded in making his breakthrough as an operatic composer. Since the premiere of this moving story about the fate of the sexton and her stepdaughter Jenuf...

Janáceks Sprachmelodie - Entdeckungsreise auf vier SaitenEntstanden 1891, sind die Mährischen Volkstänze für Orchester ein typisches Zeugnis für Janáceks musikalische Grundsprache. Als leidenschaftlic...

Kozácek, Serbischer Reigen.

Orchester-Ausgabe für die Praxis ohne Kritischen Bericht - Partitur kart.

Band D/6 der Jansscek Gesamtausgabe - Partitur kart.

4 2 4 2 - 4 12 4 1 - Pk, Schl(2), Hf, Btrp(2), TenTb(2), Str Details Dauer (min): 25 Min.

Instrumentation: Tenor (Choral voice), Flute (3) (Fl III muta in Fl-Picc) Oboe (2) und Cor anglais, Clarinet (in B-flat) (2) und E-flat clarinet, Bassoon (3) (Fag III muta in Fag-Co) Horn (4), Trumpet...

The rhapsody for orchestra 'Taras Bulba' is the most important and on account of its genesis the most interesting of the three programmatic orchestral works the composer wrote between 1914 and 1920. A...

Für Solisten: Sopran, Alt, Tenor, Bass, Chor SATB, Orgel und Orchester

Orch, gemischter Chor (SATB), Soli - Ausgabe für die Praxis Part. kart

The new critical edition of 'The Makropulos Affair' is thus mainly based on the most recent version that the composer himself had a hand in, but also takes into account some minor adjustments and the...

The new critical and practical edition of Sinfonietta reflects all existing sources, including those recently discovered during the work on the edition. It is primarily based on the transcription of t...

T, Männerchor (TTBB), Orch (tschech./deutsch/engl.)

68 Seiten.

Serebrier continues to impress fans of Janácek's music, both as conductor and, here, as interpreter. His orchestral distillation of Janácek's opera, The Makropulos Case, brings raves, both as an arran...

Janácek did not live to see his final opera 'Z mrtvého domu' ('From the House of the Dead') performed. The work was so different from his previous operas in its often chamber-like orchestration and it...