Partituras de Leroy Anderson para orquesta

At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...

All six movements of this classic Anderson work have been transcribed from his handwritten manuscript. Premiered by the Boston Pops under the direction of Arthur Fiedler, this piece was originally wri...

Leroy Anderson's (1908-1975) Jazz Pizzicato, written in 1938, was the first of his works to be performed by the Boston Pops after he came to the attention of the pops orchestra's director, Arthur Fied...

Leroy Anderson's (1908-1975) Jazz Pizzicato, written in 1938, was the first of his works to be performed by the Boston Pops after he came to the attention of the pops orchestra's director, Arthur Fied...

Leroy Anderson's "Jazz Pizzicato" and "Jazz Legato" stand as quintessential proof of his legendary status as a composer of light music. With a nostalgic nod toward the traditional American dance form...

An enduring classic, this new release from the pen of Leroy Anderson will once again become a staple of the orchestra library. Fiddle-Faddle is being reprinted with full score and bowed parts so that...

An enduring classic, this new release from the pen of Leroy Anderson will once again become a staple of the orchestra library. Fiddle-Faddle is being reprinted with full score and bowed parts so that...

An enduring classic, this new release from the pen of Leroy Anderson will once again become a staple of the orchestra library. Fiddle-Faddle is being reprinted with full score and bowed parts so that...

An enduring classic, this new release from the pen of Leroy Anderson will once again become a staple of the orchestra library. Fiddle-Faddle is being reprinted with full score and bowed parts so that...

Todas las orquestas escolares pueden experimentar la magia de Leroy Anderson con esta composición en la versión original. Utilizable año tras año.

Una de las tres obras de Leroy Anderson que representan caballos (las otras dos son "Sleigh Ride" y "Home Stretch"), este clásico de American Pops en su partitura original forma parte de la Anderson C...

Publicada y grabada por primera vez en 1954 (sólo incluida en aquel momento en el álbum "A Leroy Anderson 'Pops' Concert"), este precioso instrumental de piano se publicó como sencillo en el Reino Uni...

Leroy Anderson completó cuatro obras en 1953: "Song of the Bells", "Summer Skies", "The Girl in Satin" y "Concerto in C for Piano and Orchestra". Encargó una moderna casa para él y su familia en Grass...

Leroy Anderson completó cuatro obras en 1953: "Song of the Bells", "Summer Skies", "The Girl in Satin" y "Concerto in C for Piano and Orchestra". Encargó una moderna casa para él y su familia en Grass...

The key to George Frideric Handel's (1685-1759) genius lies in his operas and oratorios. Handel's output of vocal compositions has established his greatness far more than the few organ concerti, sonat...

The key to George Frideric Handel's (1685-1759) genius lies in his operas and oratorios. Handel's output of vocal compositions has established his greatness far more than the few organ concerti, sonat...

Leroy Anderson (1908-1975) escribió cuatro obras en 1953, entre ellas The Girl in Satin. The Girl In Satin está escrita en estilo latino. Al igual que el más conocido Blue Tango, The Girl in Satin es...

Leroy Anderson (1908-1975) escribió cuatro obras en 1953, entre ellas The Girl in Satin. The Girl In Satin está escrita en estilo latino. Al igual que el más conocido Blue Tango, The Girl in Satin es...

Leroy Anderson (1908-1975) escribió cuatro obras en 1953, entre ellas The Girl in Satin. The Girl In Satin está escrita en estilo latino. Al igual que el más conocido Blue Tango, The Girl in Satin es...

Written as a tribute to the soft-shoe style of dancing common in vaudeville acts of the early 20th century, Leroy Anderson’s "Sandpaper Ballet" was not intended to be an actual ballet, though it certa...

Escrito como homenaje al estilo de baile con zapato blando habitual en los vodeviles de principios del siglo XX, el "Sandpaper Ballet" de Leroy Anderson no pretendía ser un ballet real, aunque ciertam...

Leroy Anderson composed "Arietta" in 1962 in Woodbury, Connecticut. The main melody first materialized as a brief eight-measure sketch for viola and cello, intended for Leroy Anderson's daughter Jane...

Leroy Anderson composed "Arietta" in 1962 in Woodbury, Connecticut. The main melody first materialized as a brief eight-measure sketch for viola and cello, intended for Leroy Anderson's daughter Jane...

Un clásico de American Pops en su partitura original, esta obra forma parte de la Anderson Classics Series de E.F. Kalmus.

An American Pops classic in it's original scoring, this work is part of the Anderson Classics Series by E.F. Kalmus.