Partituras de Loras J. Schissel para orquesta de viento

Published for the first time, Circus Galop finds its origins in Sousa's last and unperformed opera The Irish Dragoon. Short, arresting and classically Sousa, this light-hearted and exciting work is a...

Sousa's wonderful concert medley of well-known hymns, exactly as performed by the Sousa Band to open all of their Sunday Concerts. Includes: Verdi Requiem, Rock of Ages, Steal Away, Mary & Martha, The...

Full Conductor Score

Stephen Foster's beautiful melody makes a perfect vehicle to feature the lyrical side of a student or guest soloist, or as an encore. This version, edited by Loras John Schissel, includes solo parts f...

Written for Powell Crosley of the Crosley Radio Corporation, The Crosley March arranged by Loras John Schissel resounds with the zest of Fillmore at his best. It's not easy, but it's worth any time ne...

A setting of a folk song collected in 1905, this is his definitive version for chamber winds with piano. There is a set of brief variations on the melody, one for solo piano which will make a wonderfu...

John Philip Sousa's own transcription of the Rossini war horse! It's everything you would expect...and more.

A setting of a folk song collected in 1905, this is his definitive version for chamber winds with piano. There is a set of brief variations on the melody, one for solo piano which will make a wonderfu...

Designated a 'Grand Symphonic March' Occident and Orient is really much more, a tone poem in the manner of Liszt. This is original music for band by one of the giants of French music, an important con...

Yes, this is the classic work that has been performed and enjoyed by generations of musicians and audiences. Now available with a full score and re-worked parts with manageable page turns, it's now mo...

The musical comedy The Yankee Girl (1909) needed a march and Sousa was asked to provide one. The result was one of his most melodic efforts, with wonderful euphonium countermelodies and a great piccol...

Powhatan's Daughter March (pronounced POW-uh-tan), was composed between 1906 and 1907. Although informally written in honor of Pocahontas, the march's inherent character probably informed Sousa's deci...