Partituras de Loreta Fin para orquesta de cuerda

The use of vibrato and 3rd position are essential in this piece. This piece was inspired by a choral work, using text from the Book of Psalms.

The use of vibrato and 3rd position are essential in this piece. This piece was inspired by a choral work, using text from the Book of Psalms.

Although it is in the key of A minor, this piece has a joyful, optimistic feel. The first violins and celli need to have good technique and, whilst the inner parts are not difficult, the intonation ne...

Although it is in the key of A minor, this piece has a joyful, optimistic feel. The first violins and celli need to have good technique and, whilst the inner parts are not difficult, the intonation ne...

Although it is in the key of A minor, this piece has a joyful, optimistic feel. The first violins and celli need to have good technique and, whilst the inner parts are not difficult, the intonation ne...

The Requiem Mass in D Minor (K. 626) by Wolfgang Amadeus Mozart was left unfinished upon his death in 1791. He composed only the first eight bars of the 'Lacrymosa' movement, which was completed later...

Thoughtfully simplified and beautifully arranged for youngsters. Both elementary and beginning high school will love it. Three to four parts.

Thoughtfully simplified and beautifully arranged for youngsters. Both elementary and beginning high school will love it. Three to four parts.

Thoughtfully simplified and beautifully arranged for youngsters. Both elementary and beginning high school will love it. Three to four parts.

The title says it all. This is a waltz, with the first, second and third parts played in a round or canon. Therefore the parts can be taught simultaneously. Very pretty melody and easy to play.

The title says it all. This is a waltz, with the first, second and third parts played in a round or canon. Therefore the parts can be taught simultaneously. Very pretty melody and easy to play.

The title says it all. This is a waltz, with the first, second and third parts played in a round or canon. Therefore the parts can be taught simultaneously. Very pretty melody and easy to play.

This piece is a fun exercise in counting notes and, just as importantly, counting rests. The players have to listen carefully, and never stop counting the beat. The notes are very simple, based on the...

This piece is a fun exercise in counting notes and, just as importantly, counting rests. The players have to listen carefully, and never stop counting the beat. The notes are very simple, based on the...

This piece is a fun exercise in counting notes and, just as importantly, counting rests. The players have to listen carefully, and never stop counting the beat. The notes are very simple, based on the...

This piece contains excellent lessons in baroque articulation and bowing styles. Be sure to instruct your ensemble to play detached sixteenth notes and short martelé quarter notes. The first violin pa...

This piece contains excellent lessons in baroque articulation and bowing styles. Be sure to instruct your ensemble to play detached sixteenth notes and short martelé quarter notes. The first violin pa...

This piece contains excellent lessons in baroque articulation and bowing styles. Be sure to instruct your ensemble to play detached sixteenth notes and short martelé quarter notes. The first violin pa...

Get ready to clap and stomp with this lively country-style barn dance. Bow divisions are important here, with string crossings and semiquaver passages guaranteed to keep everyone busy. Block pizzicato...

Get ready to clap and stomp with this lively country-style barn dance. Bow divisions are important here, with string crossings and semiquaver passages guaranteed to keep everyone busy. Block pizzicato...

Get ready to clap and stomp with this lively country-style barn dance. Bow divisions are important here, with string crossings and semiquaver passages guaranteed to keep everyone busy. Block pizzicato...

This piece commences with a slow introduction in triple time. Its rich harmonies lead to a feeling of expectation, before heralding the Allegro, with an alternating 6/8-3/4 time signature. Students ar...

For my Loreta's mother, Patricia Fin, who is a big fan of Beethoven's music. This arrangement is designed for ensembles which are ready to address concepts of style in their performances. In the openi...

Para la madre de Loreta, Patricia Fin, que es una gran admiradora de la música de Beethoven. Este arreglo está pensado para conjuntos que estén preparados para abordar conceptos de estilo en sus inter...

La Misa de Réquiem en re menor (K. 626) de Wolfgang Amadeus Mozart quedó inacabada a su muerte en 1791. Sólo compuso los ocho primeros compases del movimiento "Lacrymosa", que completó más tarde un es...