Partituras de Louis Spohr para orquesta
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music h...
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music h...
- Violín y orquesta
- Partitura general de estudio para descargar
- Edition Eulenburg
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Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
- 4 instrumentos de cuerda y orquesta
- Partichela de viola
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
- 4 instrumentos de cuerda y orquesta
- Partichela de violonchelo
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
- 4 instrumentos de cuerda y orquesta
- Partichela de violín 1
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
Louis Spohr (1784-1859), a German composer, conductor, and violinist, formed an acquaintance with Beethoven and, although greatly critical of his ninth symphony, promoted much of his work. His innovat...
- 4 instrumentos de cuerda y orquesta
- Partichela de violín 2
- Edwin F. Kalmus
-
disponible en 3-4 semanas
- Clarinete y orquesta
- Partichelas de viento (Urtext)
- Breitkopf & Härtel KG
-
disponible en 2-5 días laborables
- Clarinete y orquesta
- Partichela de contrabajo (Urtext)
- Breitkopf & Härtel KG
-
disponible en 2-5 días laborables
- Clarinete y orquesta
- Partichela de viola (Urtext)
- Breitkopf & Härtel KG
-
disponible en 2-5 días laborables
- Clarinete y orquesta
- Partichela de violonchelo (Urtext)
- Breitkopf & Härtel KG
-
disponible en 2-5 días laborables
- Clarinete y orquesta
- Partichela de violín 1 (Urtext)
- Breitkopf & Härtel KG
-
disponible en 2-5 días laborables
- Clarinete y orquesta
- Partichela de violín 2 (Urtext)
- Breitkopf & Härtel KG
-
disponible en 2-5 días laborables
Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...
Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...
- Clarinete y orquesta
- Partichela de violín 1 (Urtext)
- Breitkopf & Härtel KG
-
disponible en 2-5 días laborables
Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...
Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...
- Clarinete y orquesta
- Partichela de violín 2 (Urtext)
- Breitkopf & Härtel KG
-
disponible en 2-5 días laborables
Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...
Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...
- Clarinete y orquesta
- Partichela de viola (Urtext)
- Breitkopf & Härtel KG
-
disponible en 2-5 días laborables
Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...
Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...
- Clarinete y orquesta
- Partichela de violonchelo (Urtext)
- Breitkopf & Härtel KG
-
disponible en 2-5 días laborables
Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...
Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...
- Clarinete y orquesta
- Partichela de contrabajo (Urtext)
- Breitkopf & Härtel KG
-
disponible en 2-5 días laborables
Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...
Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...
- Clarinete y orquesta
- Partichelas de viento (Urtext)
- Breitkopf & Härtel KG
-
disponible en 2-5 días laborables
From the early years of the clarinet concerto Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo in...
From the early years of the clarinet concerto Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo in...
- Clarinete y orquesta
- Partitura general de estudio (Urtext)
- Breitkopf & Härtel KG
-
en stock
disponible en 1-3 días laborables
Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...
Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...
- Clarinete y orquesta
- Partitura general de estudio (Urtext)
- Breitkopf & Härtel KG
-
en stock
disponible en 1-3 días laborables
Für sein 'Offertorium' verwendete Spohr die Worte derIntroitus-Antiphon, die Psalm 65 (66), Vers 1 und 2 entstammten. Solche freien Offertorien waren seit dem 17. Jahrhundert gang und gäbe. Der vorlie...
Für sein 'Offertorium' verwendete Spohr die Worte derIntroitus-Antiphon, die Psalm 65 (66), Vers 1 und 2 entstammten. Solche freien Offertorien waren seit dem 17. Jahrhundert gang und gäbe. Der vorlie...
- Voz (aguda), coro mixto (SATB), órgano y orquesta
- Partichelas de viento
- Carus-Verlag
-
disponible en 2-5 días laborables
Für sein 'Offertorium' verwendete Spohr die Worte derIntroitus-Antiphon, die Psalm 65 (66), Vers 1 und 2 entstammten. Solche freien Offertorien waren seit dem 17. Jahrhundert gang und gäbe. Der vorlie...
Für sein 'Offertorium' verwendete Spohr die Worte derIntroitus-Antiphon, die Psalm 65 (66), Vers 1 und 2 entstammten. Solche freien Offertorien waren seit dem 17. Jahrhundert gang und gäbe. Der vorlie...
- Voz (aguda), coro mixto (SATB), órgano y orquesta
- Partichela de violín solo
- Carus-Verlag
-
disponible en 2-5 días laborables
Für sein 'Offertorium' verwendete Spohr die Worte derIntroitus-Antiphon, die Psalm 65 (66), Vers 1 und 2 entstammten. Solche freien Offertorien waren seit dem 17. Jahrhundert gang und gäbe. Der vorlie...
Für sein 'Offertorium' verwendete Spohr die Worte derIntroitus-Antiphon, die Psalm 65 (66), Vers 1 und 2 entstammten. Solche freien Offertorien waren seit dem 17. Jahrhundert gang und gäbe. Der vorlie...
- Voz (aguda), coro mixto (SATB), órgano y orquesta
- Partichela de violín 1
- Carus-Verlag
-
disponible en 2-5 días laborables
Für sein 'Offertorium' verwendete Spohr die Worte derIntroitus-Antiphon, die Psalm 65 (66), Vers 1 und 2 entstammten. Solche freien Offertorien waren seit dem 17. Jahrhundert gang und gäbe. Der vorlie...
Für sein 'Offertorium' verwendete Spohr die Worte derIntroitus-Antiphon, die Psalm 65 (66), Vers 1 und 2 entstammten. Solche freien Offertorien waren seit dem 17. Jahrhundert gang und gäbe. Der vorlie...
- Voz (aguda), coro mixto (SATB), órgano y orquesta
- Partichela de violín 2
- Carus-Verlag
-
disponible en 2-5 días laborables
Für sein 'Offertorium' verwendete Spohr die Worte derIntroitus-Antiphon, die Psalm 65 (66), Vers 1 und 2 entstammten. Solche freien Offertorien waren seit dem 17. Jahrhundert gang und gäbe. Der vorlie...
Für sein 'Offertorium' verwendete Spohr die Worte derIntroitus-Antiphon, die Psalm 65 (66), Vers 1 und 2 entstammten. Solche freien Offertorien waren seit dem 17. Jahrhundert gang und gäbe. Der vorlie...
- Voz (aguda), coro mixto (SATB), órgano y orquesta
- Partichela de viola
- Carus-Verlag
-
disponible en 2-5 días laborables
Für sein 'Offertorium' verwendete Spohr die Worte derIntroitus-Antiphon, die Psalm 65 (66), Vers 1 und 2 entstammten. Solche freien Offertorien waren seit dem 17. Jahrhundert gang und gäbe. Der vorlie...
Für sein 'Offertorium' verwendete Spohr die Worte derIntroitus-Antiphon, die Psalm 65 (66), Vers 1 und 2 entstammten. Solche freien Offertorien waren seit dem 17. Jahrhundert gang und gäbe. Der vorlie...
- Voz (aguda), coro mixto (SATB), órgano y orquesta
- Partichela de violonchelo y contrabajo
- Carus-Verlag
-
disponible en 2-5 días laborables
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