Partituras de Lush Life para Big Band

This haunting tune was written by Meredith Willson for the 1957 show 'The Music Man'. Our transcription is of the Helen O'Connell version, originally recorded in 1963 on the Cameo record label for the...

Transcribed by Jon Harpin from the original Billy May arrangement, this is Frank Sinatra's version of the Gershwin classic. The chart is scored for 5444, and we have written the original string lines...

Here is our take on the Nelson Riddle chart for Frank Sinatra. The original chart was written to include strings, and some orchestral woodwind, so we have removed these and scored the chart for a regu...

Here is a rare chart from the Stan Kenton orchestra, with June Christy as the vocalist. This chart is a dual feature; vocals and sax section, and has very limited contributions from the brass which on...

As recorded with Count Basie, from the album 'Sinatra at the Sands'.

A hauntingly beautiful number from the Glenn Miller book. Ours is a faithful reproduction of the original arrangement, with correct Miller voiced saxes throughout. Lead Trumpet takes the solo line, an...

Here is Glenn Miller's Chattanooga Choo Choo, adapted from the version in the film Sun Valley Serenade. Essentially this is the same structure as the vocal version, except that we have modified the ch...

Stardust is one of the great Hoagy Carmichael tunes, and deserves a place in the library of every band. Bob Martin has done a truly excellent job of transcription and modification of this Ted Heath ve...

This transcription is of the Miller version of Gershwin's famous work. We have written out all the solos (1st Trumpet, 1st Tenor, Guitar and Bass) and all the parts are accurately notated and articula...

More 'Bluesey' than the Miller version, this arrangement from the Gene Krupa orchestra makes a refreshing addition to any library. The chart features some lovely Guitar and Alto solo cameos and a solo...

A landmark chart from the Benny Goodman Orchestra. Goodman used many of Fletcher Henderson's arrangements for his band, but in the case of Chrisopher Columbus he played his own version, probably becau...

A hit for the Harry James Orchestra, this transcription is taken from HJ's 1955 studio recording. It is a medium tempo Trumpet & Tenor feature that just grooves along at a relaxed pace, with a bluesy...

Bob Carleton penned a little 16 bar tune in 1918, whilst still a club pianinst in Illinois. The tune was briefly famous, then spent 35 years in obscurity until Sonny Rollins 're-invented it' using the...

Transcribed from the 1956 recording, the Peanut Vendor remains one of Stan Kenton's most enduring hits, and is a feature chart for lead Trombone (who solos for the first minute of the chart), the Trum...

Nightmare was Artie Shaw's theme song and is an out and out Clarinet feature. We have transcribed Shaw's solo completely, but please be aware that it is very tricky to play. We have also supplied an a...

Summit Ridge Drive was one of Artie Shaw's hits with his Gramercy Five outfit, comprising Clarinet, Trumpet and Rhythm section. We have taken the original 6 piece arrangement and expanded it up to ful...

Lover Come Back To Me is generally played at a fairly brisk pace. However, this rare chart from the Artie Shaw book takes the tune at a pretty relaxed tempo which allows all of the harmonic structures...

Here is Glenn Miller's Chattanooga Choo Choo in all its glory. This is the extended version from the film Sun Valley Serenade scored for Boy & Girl vocal with 4-piece backing group and it is four and...

A hit for Anita O'Day during her second spell with the Gene Krupa Orchestra, this chart is taken from the album Let Me Off Uptown on Columbia/Legacy (CK 65625). The opening Boogie, followed by an Alto...

This version of I Know Why is taken from the film 'Sun Valley Serenade' and includes an additional instrumental chorus not found in the earlier Miller recorded version. A lovely vocal ballad, scored f...

This is Glenn Miller's version that was originally performed by the Modernaires vocal group. We have scored it for Boy and Girl vocal duet and have included a part for the vocal harmony group too. The...

Straight from the Miller book, the Story of a Starry Night was originally arranged for the Miller band by Bill Finegan. Based on Tchaikovsky's Pathetique Symphony #6, this arrangement is one of a numb...

This is the original Helen O'Connell version of Amapola, from her 1957 album 'Green Eyes', as recorded with the Marion Evans Orchestra. It is not a transcription. We have adapted it slightly, by addin...

The Joe Williams / Count Basie partnership was a rich one indeed, and together they produced many fine recordings. Roll 'Em Pete, from the early 70's, is one of the best, with JW improvising around th...

A beautiful vocal ballad from the great co-operative writing team of Sammy Cahn & Jule Styne, this chart was made famous by Harry James and features your lead Trumpet, lead Alto and naturally your sin...