Partituras de Lush Life para Big Band

A lovely, late-night, torch-singer style of arrangement, with the band unobtrusively backing the vocalist throughout. A two bar intro to help the vocalist to pitch the first note, and then it's ballad...

One of the many great songs written by Nat 'King' Cole, it has found its place as a stock tune in the repertoire of many female singers, including Linda Rondstat and Natalie Cole. This version borrows...

Another nostalgic song from the early WWII years, We'll Meet Again remains as popular as ever. It is a particularly good closing number for a nostalgia gig or concert as it is not a long arrangement,...

Immortalised by Vera Lynn in the 1940's, this tune came to symbolise hope in troubled times, though it is also a lovely melody in its own right. Our arrangement is a smooth, flowing ballad in the '40'...

This song was written by Cole Porter for the musical Kiss Me Kate. Our arrangement is similar to that performed by the great Julie London. This chart moves along nicely, with a mix of two and four bea...

Ella Mae Morse recorded this hit in 1942 at the tender age of 17, shortly after joining the Freddie Slack Orchestra. This song turned out to be the first gold single for Capitol Records, and helped to...

Tangerine was originally a vocal duet hit for Helen O'Connell in her time with the Jimmy Dorsey Orchestra. This version is from her 1951 Capitol Records sessions, though not in the end recorded and re...

Here is another original Helen O'Connell chart as played by her on her many concert tours. This is not a transcription. To the best of our knowledge this chart was not commercially recorded, hence the...

This is the genuine Helen O'Connell version from her 'Green Eyes' album. This chart is not a transcription and has been recreated from the original manuscipts, although we have shortened the ending by...

This is the original Helen O'Connell version of 'I've Got The World On A String', as recorded with the Ray Anthony Orchestra in his 1953 Chesterfield Show. It is not a transcription. Although a short...

Here is Part 1 of Artie Shaw's stunning Concerto for Clarinet, written by the great man himself. Following a big tutti opening comes a stylish Clarinet cadenza intro, with band backing and solo Piano...

Here is Part 2 of Artie Shaw's stunning Concerto for Clarinet. The chart opens with four stylish Clarinet cadenzas, after which the drummer picks up the tempo with a floor-tom solo, joined by solo Cla...

This version of Indian Love Call is a variation on the vocal version that we offer and is a Clarinet feature. (Please see the Vocals section for a fuller description). The structure is the same as the...

This is the theme tune for the Tommy Dorsey Orchestra, and perhaps the definitive solo vehicle for Trombone, where the melody brings out the best of the instrument. This arrangement is true to the ori...

This is a big, big Trombone feature and is a must for any library. The tune was used as the incidental music to the film 'The Glenn Miller Story'. Ernie Barnard has produced a fabulously lush and rich...

Buck Ram (founder of the Platters) wrote the tune which Bill Finegan crafted into a Glenn Miller classic. It was one of the few arrangements that Billy May carried over into his own band. Our transcri...

Birmingham Bounce is a postwar chart from the Tommy Dorsey Orchestra, featuring the singing and fiery Trumpet of Charlie Shavers. This is a very good dance chart and it has a lot of nice features in t...

Scored for 5 Saxes, 3 Trumpets, 2 Trombones and 4 Rhythm. Some arrangements of these series have cross-cued lead parts, making them playable by a reduced front line. Standard orchestrations, for stric...

Made famous by the Tommy Dorsey Orchestra, our version of Sunny Side of theStreet is taken from the version done by the late great Syd Lawrence. The form and structure is based on the original Dorsey...

Scored for 5 Saxes, 3 Trumpets, 2 Trombones and 4 Rhythm. Some arrangements of these series have cross-cued lead parts, making them playable by a reduced front line. Standard orchestrations, for stric...

Scored for 5 Saxes, 3 Trumpets, 2 Trombones and 4 Rhythm. Some arrangements of these series have cross-cued lead parts, making them playable by a reduced front line. Standard orchestrations, for stric...

Scored for 5 Saxes, 3 Trumpets, 2 Trombones and 4 Rhythm. Some arrangements of these series have cross-cued lead parts, making them playable by a reduced front line. Standard orchestrations, for stric...

Scored for 5 Saxes, 3 Trumpets, 2 Trombones and 4 Rhythm. Some arrangements of these series have cross-cued lead parts, making them playable by a reduced front line. Standard orchestrations, for stric...

Scored for 5 Saxes, 3 Trumpets, 2 Trombones and 4 Rhythm. Some arrangements of these series have cross-cued lead parts, making them playable by a reduced front line. Standard orchestrations, for stric...

Scored for 5 Saxes, 3 Trumpets, 2 Trombones and 4 Rhythm. Some arrangements of these series have cross-cued lead parts, making them playable by a reduced front line. Standard orchestrations, for stric...