Partituras de Lush Life para Big Band

This version of You Make Me Feel So Young is the one performed by Frank Sinatra with the Count Basie Orchestra on the 'Sinatra at the Sands' album, later re-issued on the Reprise collection, and it is...

Originally written for the film 'Youth on Parade' by the prolific team of Jule Styne & Sammy Cahn, this tune became a huge hit for Helen Forrest and the Harry James Orchestra.HJ recorded the chart in...

This version of Alright, Okay was done by Joe Williams with the Count Basie Orchestra and it is a very dancable bouncy shuffle that has a solid pulse. There is nothing complicated about the chart and...

Another beautifully relaxed chart from the Basie band, featured on the Atomic Mr Basie album. Written by Neal Hefti, this easy chart is aptly named. It is slow, relaxed, laid-back and super cool. It f...

This is Frank Sinatra at his best. This chart is a transcription of Sinatra with the Count Basie Band, taken from Sinatra at the Sands. It features the original band into - big, punchy and nearly a mi...

A hauntingly beautiful number from the Glenn Miller book. Ours is a faithful reproduction of the original arrangement, with correct Miller voiced saxes throughout. Lead Trumpet takes the solo line, an...

Here is Glenn Miller's Chattanooga Choo Choo, adapted from the version in the film Sun Valley Serenade. Essentially this is the same structure as the vocal version, except that we have modified the ch...

This chart of Night and Day is transcribed and adapted from Artie Shaw's April 1937 RCA session, the original arrangement being penned by Jerry Gray. The band then consisted of 5 Brass, 4 Reeds, 4 Rhy...

Here is a very lush and sweet arrangement of Fascination Waltz, as recorded by the Joe Loss Orchestra. The saxes are Miller voiced throughout, scored for CAATT (with the first Tenor also doubling Clar...

This version of I Know Why is taken from the film 'Sun Valley Serenade' and includes an additional instrumental chorus not found in the earlier Miller recorded version. A lovely vocal ballad, scored f...

Fans of Louis Jordan will instantly recognize this title, and our arrangement is equally singable by most male or female singers. The rhythm section starts it off, and the trumpets blow the dirty 'wah...

That Ole Devil is a wonderful torchlight ballad which was made famous by Billie Holiday, and latterly by Alison Moyet. Ours draws from the best of both, and we have added extra depth and richness to t...

This is the theme tune for the Tommy Dorsey Orchestra, and perhaps the definitive solo vehicle for Trombone, where the melody brings out the best of the instrument. This arrangement is true to the ori...

A straight-ahead Waltz in a stock style. Good sectional interplay and use of brass mutes for tonal colour, with a written Trumpet 2 solo and written Piano fills.

Enchant your audience with "The Last Waltz", published by Lush Life Music! This stylish big band arrangement perfectly captures the timeless elegance of a classic jazz waltz. Following a brief, atmosp...

Made famous by Dean Martin, ours is close to the Rosemary Clooney version which she recorded with the Perez Prado Orchestra. This is a relaxed vocal with simple backings from the band, in true Prado s...

Written by Bill Finegan for the Glenn Miller Orchestra, this number is a great example of his arranging skill. He took a simplistic tune (Yo Ho Heave Ho) and turned it into a memorable piece, famous f...

Scored for 5 Saxes, 3 Trumpets, 2 Trombones and 4 Rhythm. Some arrangements of these series have cross-cued lead parts, making them playable by a reduced front line. Standard orchestrations, for stric...

Sunday Girl was one of Blondie's biggest hits, written for her by band member Chris Stein. Our arrangement is written as a pop rock chart, with a similar feel to the Debbie Harry original. After a bol...

Here is a grooving latin version of One Mint Julep from the Xavier Cugat band which features your Piano / Keyboard player on rock organ. The arrangement is fairly straightforward, with no great surpri...

Here is Jon Harpin's transcription of the Shorty Rogers chart written for June Christy's 1962 'Big Band Specials' album. This is an unusual arrangement which switches between a Rock and Swing feel, an...

This arrangement of Jailhouse Rock is easy, yet very effective in performance, and being such a well known song, will have the dancers taking to the floor straight away. The chart opens in Elvis style...

This version of 'You Must Have Been a Beautiful Baby' has been transcribed and adapted by Jon Harpin from the version Peggy Lee recorded in 1967 on the Capitol album 'Something Groovy!', and it's writ...

This version is a transcription of Basie's performance from the 'Sinatra at the Sands' album, and it differs slightly from the great Billy Byers studio version of the chart. It opens with a floating P...