Partituras de Mario Castelnuovo-Tedesco para voz

Divided into three sections, this wordless melody opens with a 'sad and impassioned' chant that appears to grieve the tragic fate of the Jewish people. A folk dance follows, in which a 'lively and stu...

Los Scherzi per musica di Messer Francesco Redi de Mario Castelnuovo-Tedesco representan un ejemplo de la canción de cámara italiana de principios del siglo XX. A partir de textos de Francesco Redi, e...

Los Scherzi per musica di Messer Francesco Redi de Mario Castelnuovo-Tedesco representan un ejemplo de la canción de cámara italiana de principios del siglo XX. A partir de textos de Francesco Redi, e...

Los Scherzi per musica di Messer Francesco Redi de Mario Castelnuovo-Tedesco representan un ejemplo de la canción de cámara italiana de principios del siglo XX. A partir de textos de Francesco Redi, e...

Immerse yourself in the fascinating world of 1920s art song: The "3 Heine-Lieder" (1926) combine Heinrich Heine's timeless, delicate poetry with an expressive musical language. This sheet music editio...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Vogelweide Op. 186

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Immerse yourself in a world of poetry, melancholy, and musical depth with "The Divan of Moses Ib Ezra Op. 2". This extraordinary song cycle for voice and guitar brings together the poignant verses of...