Partituras de Mark Taylor para Big Band

Esta melodía estándar de 1945 siempre ha sido una de las favoritas de los músicos de jazz. Con una melodía atemporal, partes de fondo bellamente marcadas y un estilo de swing medio, esta carta destaca...

Diseñada como una llamativa pieza de exhibición en la que participan todas las secciones de la banda, esta canción de ritmo trepidante es el comienzo perfecto. Después de una introducción que llama la...

Este estándar de jazz de Horace Silver de 1956 presenta un groove de jazz latino exótico y cautivador junto con una línea melódica y una progresión de acordes distintivas. Mark Taylor utiliza elemento...

Encargo de la Houston Jazz Orchestra, aquí tienes una melodía shuffle muy cañera que hará que tu maduro conjunto suene a las mil maravillas. La sección rítmica pone la mesa para los saxos en la melodí...

If you're looking for a flagwaver that'll set the audience on the edge of their seats, look no further! Mark Taylor pulls out all the stops with a chart that's full of great counterpoint, powerful ens...

¡Esto QUEMA! Con cambios inteligentes de swing a samba, características de la sección de trombones, figuras de swing duro, un solo de saxo de cadera, y enormes gritos de conjunto, este es el escaparat...

Compuesto originalmente para el musical francés Los paraguas de Cherburgo y grabado por muchos grandes artistas como Connie Francis y Chér, este arreglo de swing para voz y banda de jazz entra y sale...

Esta nueva versión bossa del clásico número 1 de Leon Russell cuenta con la participación destacada de tu trombonista solista, así como de la sección de saxos. La sección solista rompe hábilmente en u...

Arranged in a medium slow Basie style, this is a great chart for teaching ensemble balance and laid-back swing. Includes plenty of tutti ensemble playing, plus a Basie-like piano solo that's completel...

This tremendously popular song was recorded early on by Al Jolson in 1913 and was later a hit for Judy Garland in 1937. Mark's smooth chart is set in a medium Basie swing style with lots of tutti ense...

First introduced in 1928, this familiar song has gone on to become one of the most recorded standards of all time, including recently by Tony Bennett with Lady Gaga. This swingin' version for vocal so...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

Featuring a distinctive up-beat groove in 7/4 throughout (3+4), Mark's inventive original is a fabulous duet feature for trumpet and tenor sax. In between the duet statements and solos are full ensemb...

Written by jazz legend Thelonious Monk, In Walked Bud features a memorable melody and rollicking swing style sprinkled with unique 'Monk-isms' that his music is known for. This terrific version for ja...

Feature your trombone soloist on this unique samba setting of Henry Mancini's popular standard! The soloist is alternated with flowing accompaniment passages, and later an ensemble shout that starts o...

This medium tempo samba features a quartet of alto, tenor, trumpet and trombone on the melody along with clever counterlines from the rest of the ensemble. A recurring unison bass line riff holds it a...

Originally composed for the 1963 film The Pink Panther, this familiar tune has enjoyed renewed popularity thanks to the energetic samba version recorded by Michael Bublé. Mark's arrangement for Little...

One of the best-known Latin/Jazz compositions ever written! Mark has done a great job of making this Sonny Rollins classic playable by younger groups while maintaining the style of the original. Small...

George Shearing's classic from the 50's is arranged here in a moderate Latin style which is actually closer to the original version. Mainly scored for the full ensemble Mark includes a few meter chang...

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

Written as a solo vehicle for tenor sax, Mark has created a marvelous setting on this Hoagy Carmichael standard using a sensuous slow Latin groove. Very effective!

With flowing melodies and a light bossa feel, Mark's arrangement of this standard is a wonderful feature for flugelhorn. The solo section includes a written sample, and the ensemble voicings and harmo...

Mark has taken this Irving Berlin favorite and crafted a marvelous setting for solo flugelhorn using a unique 3/4 samba feel. Beautifully supported by the ensemble, and all of the solo part is written...