Partituras de Misa medio

Zweite Fassung mit der Fuge 'Cum Sancto Spiritu' aus der ersten Fassung und einer Variante des 'Osanna' Soli SATB, Coro SATB, Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences - after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences – after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Mi...

When it was possible to celebrate the Catholic Mass in the German language as well, Bertold Hummel wrote his motet Ehre sei Gott for mixed four-part choir. This piece is a 'German gloria' and can be p...

Gemischter Chor (SATB) a cappella oder mit Orgel.

Hermann Schroeder (1904-1984) is one of the most important composers of Catholic church music in the 20th century. Apart from more than 100 organ works and masses, he also wrote numerous motets. The p...

The 'Missa romana' is a mass setting in Latin. With a duration of c. 10 minutes, and a moderate level of difficulty, it is intended for performance in Catholic services. It combines jazzy chords and L...

Schubert's magnificent but simple 'Deutche Messe' for SATB voices, which may be performer a capella or with the Organ accompaniment given here. The text is given in German and in an English translatio...

Haydn compuso su primera misa siendo adolescente, cuando él y su hermano aún cantaban como niños sopranos en la catedral de San Esteban de Viena. Probablemente escribió las dos partes solistas ornamen...

Haydn compuso su primera misa siendo adolescente, cuando él y su hermano aún cantaban como niños sopranos en la catedral de San Esteban de Viena. Probablemente escribió las dos partes solistas ornamen...

La primera misa de Haydn, a pesar de su melodía popular, tiene un carácter devocional que, al igual que su brío juvenil, seguía inspirando al viejo Haydn, que volvió a componer su primera obra en 1805...

La primera misa de Haydn, a pesar de su melodía popular, tiene un carácter devocional que, al igual que su brío juvenil, seguía inspirando al viejo Haydn, que volvió a componer su primera obra en 1805...

La primera misa de Haydn, a pesar de su melodía popular, tiene un carácter devocional que, al igual que su brío juvenil, seguía inspirando al viejo Haydn, que volvió a componer su primera obra en 1805...

La primera misa de Haydn, a pesar de su melodía popular, tiene un carácter devocional que, al igual que su brío juvenil, seguía inspirando al viejo Haydn, que volvió a componer su primera obra en 1805...

La primera misa de Haydn, a pesar de su melodía popular, tiene un carácter devocional que, al igual que su brío juvenil, seguía inspirando al viejo Haydn, que volvió a componer su primera obra en 1805...

La primera misa de Haydn, a pesar de su melodía popular, tiene un carácter devocional que, al igual que su brío juvenil, seguía inspirando al viejo Haydn, que volvió a componer su primera obra en 1805...