Partituras de Música clásica (Romanticismo) medio

«Auf der Jagd», op. 373, es una polca rápida del compositor austriaco Johann Strauss II, uno de los representantes más destacados de la tradición musical vienesa. La obra se estrenó en 1875 y se inspi...

«Auf der Jagd», op. 373, es una polca rápida del compositor austriaco Johann Strauss II, uno de los representantes más destacados de la tradición musical vienesa. La obra se estrenó en 1875 y se inspi...

«Auf der Jagd», op. 373, es una polca rápida del compositor austriaco Johann Strauss II, uno de los representantes más destacados de la tradición musical vienesa. La obra se estrenó en 1875 y se inspi...

This well-known Tschaikowsky melody will add rhythmic variety and a sense of mystery to your flute ensemble repertoire.

The compositions, arrangements and studies by Wilhelm Popp (1828-1903) are still very popular among flutists in particular today. Popp wrote more than 600 pieces at different levels of difficulty.Bril...

> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...

«Auf der Jagd», op. 373, es una polca rápida del compositor austriaco Johann Strauss II, uno de los representantes más destacados de la tradición musical vienesa. La obra se estrenó en 1875 y se inspi...

«Auf der Jagd», op. 373, es una polca rápida del compositor austriaco Johann Strauss II, uno de los representantes más destacados de la tradición musical vienesa. La obra se estrenó en 1875 y se inspi...

> First Urtext edition of Dvorák's popular Serenade for winds > Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger) > Critical Commentary by Robin Tait (Eng) In 1878 Dvorák was in Vienn...

> First Urtext edition of Dvorák's popular Serenade for winds > Detailed Foreword by Dvorák expert David R. Beveridge (Eng/Cz/Ger) > Critical Commentary by Robin Tait (Eng) In 1878 Dvorák was in Vienn...

Durante mucho tiempo, Camille Saint-Saëns se mostró reacio a componer una pieza de música de cámara con trompeta para su amigo Émile Lemoine y su asociación de música de cámara "La Trompette": "Puedo...

Early piano quintet In 1887 Antonín Dvorák revised several of the works he had composed in the 1860s and 1870s, most of which he then published for the first time. In this context he asked the music c...

Das Opus 81 gehört seit Langem zu den international meistgespielten Kammermusikwerken überhaupt. Die vorliegende Ausgabe basiert auf der 'Gesamtausgabe der Werke Antonín Dvoráks', das neue, ausführlic...

> New detailed Foreword (Eng/Cz/Ger) by Dvorák scholar David R. Beveridge<br>> Critical Commentary (Eng) by the editor Robin Tait<br><br>Dvorák’s Piano Quartet in D major, thou...

> Standard work from the chamber music repertoire > Newly engraved violoncello part > New Foreword by David R. Beveridge (Eng/Cz/Ger) Dvorák's 'Trio in B-flat major' op. 21, the first of his four work...

The "Three Romances" by Robert Schumann, composed in 1849 and set for oboe and piano, are undoubtedly among the gems of the oboe literature. Hans-Peter Frank has now presented the result of his consid...

Emilie Mayer's works cover a remarkable number of these 'unfeminine' genres - 8 symphonies, 7 concert overtures (including the successful overture to Faust op. 46), a piano concerto, a 'Rondo militair...

The Fantasy Pieces op. 88 are Schumann's first contribution to the genre of the piano trio and date from his very prolific 'chamber music year' 1842. However, Schumann needed an unusually long time to...