Partituras de Música clásica (Romanticismo) medio

The aim of the edition is to present the composer's enormous legacy as it is known today, as exhaustively as possible. Every musical text published in this edition is an outcome of the comprehensive a...

Dvorák composed the 'Slavonic Rhapsodies' op. 45 in 1878, launching his so-called 'Slavonic period'. When they were issued by the publisher Simrock the following year, these three self-contained orche...

Dvorák composed the 'Slavonic Rhapsodies' op. 45 in 1878, launching his so-called 'Slavonic period'. When they were issued by the publisher Simrock the following year, these three self-contained orche...

Dvorák composed the 'Slavonic Rhapsodies' op. 45 in 1878, launching his so-called 'Slavonic period'. When they were issued by the publisher Simrock the following year, these three self-contained orche...

When Antonín Dvorák started composing his String Quartet No. 10 in late 1878, none of his quartets had yet been performed. However this new work, deliberately cast in the 'Slavonic' style, quickly ach...

Dvorák compuso su ambicioso Cuarteto de cuerda en do mayor op. 61 en otoño de 1881 por encargo de Joseph Hellmesberger padre, concertino de la Filarmónica de Viena y primer violinista del Cuarteto Hel...

Dvorák compuso su ambicioso Cuarteto de cuerda en do mayor op. 61 en otoño de 1881 por encargo de Joseph Hellmesberger padre, concertino de la Filarmónica de Viena y primer violinista del Cuarteto Hel...

Quick and lively, Moorish Dance (originally titled 'Dance of the Moorish Slaves') comes at the beginning of Act II of Aida. This well-constructed arrangement would work well as a snappy opener or an e...

Borodin's original work for full orchestra idyllically depicts an interaction of Russians and Asians in the Steppe Lands of the Russian Caucasus. Stevens' skillful setting of this classic work capture...

Taken from the second movement of the Serenade (and similar to the minuets of his idol, Mozart), Tchaikovsky's Valse also resembles many of his own ballet movements. Lauren Keiser's adapatation is des...

Liszt abre su extenso oratorio Christus con esta sencilla fuga instrumental. Marcada con las palabras iniciales de Isaías 45:8: Rorate coeli (Gotas de rocío celestial), la fuga adapta la frase musical...