Partituras de Música clásica (época barroca) para 2 flautas traveseras y bajo continuo
Geistliches Konzert - Tonart G-Mixolydisch
Geistliches Konzert - Tonart G-Mixolydisch
- Oboe, fagot, 2 violines, 3 flautas traveseras y bajo continuo
- Partichela de violín 2
- Carus-Verlag
-
disponible en 2-5 días laborables
Geistliches Konzert - Tonart G-Mixolydisch
Geistliches Konzert - Tonart G-Mixolydisch
- Oboe, fagot, 2 violines, 3 flautas traveseras y bajo continuo
- Partichela de trombón 1
- Carus-Verlag
-
disponible en 2-5 días laborables
Geistliches Konzert - Tonart G-Mixolydisch
Geistliches Konzert - Tonart G-Mixolydisch
- Oboe, fagot, 2 violines, 3 flautas traveseras y bajo continuo
- Partichela de trombón 2
- Carus-Verlag
-
disponible en 2-5 días laborables
Geistliches Konzert - Tonart G-Mixolydisch
Geistliches Konzert - Tonart G-Mixolydisch
- Oboe, fagot, 2 violines, 3 flautas traveseras y bajo continuo
- Partichela de trombón 3
- Carus-Verlag
-
disponible en 2-5 días laborables
La ópera Cleofide de Johann Adolf Hasse formaba parte de un ambicioso plan para revivir el arte de la ópera italiana en la corte sajona. La trama dramática -sobre las conquistas de Alejandro Magno en...
La ópera Cleofide de Johann Adolf Hasse formaba parte de un ambicioso plan para revivir el arte de la ópera italiana en la corte sajona. La trama dramática -sobre las conquistas de Alejandro Magno en...
- 2 Voces (agudas), 2 Flautas, Oboe, 2 Violines, Viola y Bajo continuo
- Partitura general para descargar
- Carus-Verlag
-
Inmediatamente disponible
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La ópera Cleofide de Johann Adolf Hasse formaba parte de un ambicioso plan para revivir el arte de la ópera italiana en la corte sajona. El argumento dramático -sobre las conquistas de Alejandro Magno...
La ópera Cleofide de Johann Adolf Hasse formaba parte de un ambicioso plan para revivir el arte de la ópera italiana en la corte sajona. El argumento dramático -sobre las conquistas de Alejandro Magno...
- Voz (aguda), 2 Flautas, Oboe, 2 Violines, Viola y Bajo continuo
- Partitura general para descargar
- Carus-Verlag
-
Inmediatamente disponible
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La ópera Cleofide de Johann Adolf Hasse formaba parte de un ambicioso plan para revivir el arte de la ópera italiana en la corte sajona. El argumento dramático -sobre las conquistas de Alejandro Magno...
La ópera Cleofide de Johann Adolf Hasse formaba parte de un ambicioso plan para revivir el arte de la ópera italiana en la corte sajona. El argumento dramático -sobre las conquistas de Alejandro Magno...
- Voz (aguda), 2 Flautas, Oboe, 2 Violines, Viola y Bajo continuo
- Partitura general para descargar
- Carus-Verlag
-
Inmediatamente disponible
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Soli SATB, Coro SATB, 2 Fl, Ob I/Obda, Ob II, Vl solo, 2 Vl, Va, Bc
Soli SATB, Coro SATB, 2 Fl, Ob I/Obda, Ob II, Vl solo, 2 Vl, Va, Bc
- Solistas, coro mixto (SATB), 2 flautas traveseras, 2 oboes, instrumentos de cuerda y bajo continuo
- Partitura general de coro
- Carus-Verlag
-
disponible en 2-5 días laborables
- Solistas (STB), coro mixto (SATB), 2 flautas traveseras, 2 violines, viola y bajo continuo
- Partitura general
- Laurentius-Musikverlag
-
disponible en 3-4 semanas
In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...
In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...
- Solistas, coro mixto (SATBarB), 2 flautas traveseras, 2 oboes, 2 violines, 2 violas, contrabajo y bajo continuo
- Partitura (Urtext) Descargar
- Carus-Verlag
-
-
Inmediatamente disponible
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In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...
In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...
- Solistas, coro mixto (SATBarB), 2 flautas traveseras, 2 oboes, 2 violines, 2 violas, contrabajo y bajo continuo
- Set de partichelas - violín 1, violín 2, viola 1, viola 2, bajo continuo, flauta travesera 1, flauta travesera 2, oboe 1, oboe 2 y órgano (Urtext)
- Carus-Verlag
-
-
disponible en 2-5 días laborables
This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from...
This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from...
- Solistas, coro mixto (SATB), 2 flautas traveseras, 2 oboes d'amore, 2 violines, viola y bajo continuo
- Partitura general de coro (Urtext)
- Carus-Verlag
-
disponible en 2-5 días laborables
This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
- Solistas (SATB), coro mixto (SATB), 2 flautas traveseras, 2 oboes, 2 violines, viola y bajo continuo
- Partitura general de coro (Urtext)
- Carus-Verlag
-
disponible en 2-5 días laborables
The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...
The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...
- Solistas (SATB), coro mixto (SATB), 2 flautas traveseras, 2 oboes, 2 violines, viola y bajo continuo
- Partitura general de coro (Urtext)
- Carus-Verlag
-
disponible en 2-5 días laborables
This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from...
This six-movement cantata uses the hymn of the same name by Ahasverus Fritsch, first recorded in 1698 in the Darmstädter Liederbuch. This places it amongst those chorale cantatas which use a hymn from...
- Solistas, coro mixto (SATB), 2 flautas traveseras, 2 oboes d'amore, 2 violines, viola y bajo continuo
- Reducción de piano (Urtext)
- Paul Horn
- Carus-Verlag
-
disponible en 2-5 días laborables
- También disponible para descarga.
This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
- Solistas (SATB), coro mixto (SATB), 2 flautas traveseras, 2 oboes, 2 violines, viola y bajo continuo
- Set de partichelas (Urtext)
- Carus-Verlag
-
disponible en 2-5 días laborables
- También disponible para descarga.
This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
- Solistas (SATB), coro mixto (SATB), 2 flautas traveseras, 2 oboes, 2 violines, viola y bajo continuo
- Juego de piezas (Urtext) Descargar
- Carus-Verlag
-
Inmediatamente disponible
Descargar inmediatamente al finalizar la orden - Descarga instantánea
This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
- Solistas (SATB), coro mixto (SATB), 2 flautas traveseras, 2 oboes, 2 violines, viola y bajo continuo
- Partichela de órgano (Urtext)
- Carus-Verlag
-
disponible en 2-5 días laborables
- También disponible para descarga.
This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
- Solistas (SATB), coro mixto (SATB), 2 flautas traveseras, 2 oboes, 2 violines, viola y bajo continuo
- Órgano a una parte (Urtext) Descargar
- Carus-Verlag
-
Inmediatamente disponible
Descargar inmediatamente al finalizar la orden - Descarga instantánea
The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...
The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...
- Solistas (SATB), coro mixto (SATB), 2 flautas traveseras, 2 oboes, 2 violines, viola y bajo continuo
- Set de partichelas (Urtext)
- Carus-Verlag
-
disponible en 2-5 días laborables
- También disponible para descarga.
The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...
The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...
- Solistas (SATB), coro mixto (SATB), 2 flautas traveseras, 2 oboes, 2 violines, viola y bajo continuo
- Juego de piezas (Urtext) Descargar
- Carus-Verlag
-
Inmediatamente disponible
Descargar inmediatamente al finalizar la orden - Descarga instantánea
The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...
The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...
- Solistas (SATB), coro mixto (SATB), 2 flautas traveseras, 2 oboes, 2 violines, viola y bajo continuo
- Partichela de órgano (Urtext)
- Carus-Verlag
-
disponible en 2-5 días laborables
- También disponible para descarga.
The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...
The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...
- Solistas (SATB), coro mixto (SATB), 2 flautas traveseras, 2 oboes, 2 violines, viola y bajo continuo
- Órgano a una parte (Urtext) Descargar
- Carus-Verlag
-
Inmediatamente disponible
Descargar inmediatamente al finalizar la orden - Descarga instantánea
Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
- Solistas (SA), coro mixto (SATB), 2 flautas traveseras, 2 violas da gamba y bajo continuo
- Partichela de flauta de pico alta 1 (Urtext)
- Bärenreiter Verlag
-
disponible en 2-4 días laborables
Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
Kantate zu einer Trauerfeier (deutsch/englisch), nach der Neuen Bach-Ausgabe. Alt solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Viola da gamba (2), Basso continuo
- Solistas (SA), coro mixto (SATB), 2 flautas traveseras, 2 violas da gamba y bajo continuo
- Partichela de flauta de pico alta 2 (Urtext)
- Bärenreiter Verlag
-
disponible en 2-4 días laborables