Partituras de Música clásica (época barroca) para Coro mixto (SATB), 2 violines y bajo continuo

Special instrumentations inspired Telemann's imagination. In the cantata 'Herr, lehre uns bedenken' from 1720, he linked the opening chorus and the two arias with concertante parts for a viola d'amore...

Special instrumentations inspired Telemann's imagination. In the cantata 'Herr, lehre uns bedenken' from 1720, he linked the opening chorus and the two arias with concertante parts for a viola d'amore...

Special instrumentations inspired Telemann's imagination. In the cantata 'Herr, lehre uns bedenken' from 1720, he linked the opening chorus and the two arias with concertante parts for a viola d'amore...

Special instrumentations inspired Telemann's imagination. In the cantata 'Herr, lehre uns bedenken' from 1720, he linked the opening chorus and the two arias with concertante parts for a viola d'amore...

Die vorliegende Kantate stammt aus dem jüngeren der beiden in Schotten vorhandenen Kantatenjahrgänge Liebholds und ist etwa 1728 kopiert worden. Die von Liebhold benutzte Textvorlage stammt von Johann...

Die vorliegende Kantate stammt aus dem jüngeren der beiden in Schotten vorhandenen Kantatenjahrgänge Liebholds und ist etwa 1728 kopiert worden. Die von Liebhold benutzte Textvorlage stammt von Johann...

Die vorliegende Kantate stammt aus dem jüngeren der beiden in Schotten vorhandenen Kantatenjahrgänge Liebholds und ist etwa 1728 kopiert worden. Die von Liebhold benutzte Textvorlage stammt von Johann...

Great Baroque church music full of color and powerful imagery! 'Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas s...

Gran música barroca de iglesia, llena de color e imágenes. "¡Cantad al Señor un cántico nuevo! Gritad de alegría, alabad al Señor con arpas, tambores y trompetas. Que se una también la naturaleza, que...

Great Baroque church music full of color and powerful imagery! 'Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas s...

Great Baroque church music full of color and powerful imagery! 'Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas s...

Soli SATB, Coro SATB (SAT), Fl (Ob), 2 Vl, Va, Bc

Soli SATB, Coro SATB (SAT), Fl (Ob), 2 Vl, Va, Bc

Soli SATB, Coro SATB (SAT), Fl (Ob), 2 Vl, Va, Bc

Soli SATB, Coro SATB (SAT), Fl (Ob), 2 Vl, Va, Bc

Soli SATB, Coro SATB (SAT), Fl (Ob), 2 Vl, Va, Bc

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

None other than Johann Sebastian Bach arranged Giovanni Battista Pergolesi’s well-known Stabat mater for performances at Leipzig’s Thomaskirche. Bach replaced the old liturgical sequence of the origin...

None other than Johann Sebastian Bach arranged Giovanni Battista Pergolesi’s well-known Stabat mater for performances at Leipzig’s Thomaskirche. Bach replaced the old liturgical sequence of the origin...