Partituras de Música clásica (época barroca) para Coro mixto (SATB), 2 violines y bajo continuo

Bach's chorale cantata with its opening text 'Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen' (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for t...

La cantata coral de Bach con el texto inicial "Wohl dem, der sich auf seinen Gott recht kindlich verlassen kann" BWV 139 se estrenó el 12 de noviembre de 1724 en el oficio principal de Leipzig. El tex...

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

La cantata de seis movimientos BWV 164 se estrenó en Leipzig el 26 de agosto de 1725. El texto fue escrito por el compositor de cantatas de Weimar de Bach, Salomon Franck, y apareció en su colección "...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

La cantata "Nun danket alle Gott" BWV 192 se basa únicamente en el conocido himno. Es, por tanto, una de las pocas cantatas corales que no contienen otros textos poéticos libres. En consecuencia, tamp...

Mit nicht einmal 20 Lebensjahren entzog sich der jüngste Sohn des Leipziger Thomaskantors Johann Sebastian Bach der lutherisch geprägten Musiktradition seiner Familie: Johann Christian Bach (1735-1782...

Mit nicht einmal 20 Lebensjahren entzog sich der jüngste Sohn des Leipziger Thomaskantors Johann Sebastian Bach der lutherisch geprägten Musiktradition seiner Familie: Johann Christian Bach (1735-1782...

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

Although 'Warum betrübst du dich, mein Herz' (What is it troubles thee, my heart) BWV 138 is based on the chorale of the same name, it is nevertheless not regarded as one of Bach's chorale cantatas. I...

Aunque "Warum betrübst du dich, mein Herz" BWV 138 se basa en el himno del mismo nombre, no es una de las cantatas corales de Bach. En esta inusual composición del primer año de Bach, no se parafrasea...

Der berühmteste Chorsatz des Oratoriums jetzt auch als Einzelausgabe!

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

La cantata a dos partes del 3er ciclo de cantatas de Bach se estrenó el 4 de agosto de 1726 (7º domingo después de la Trinidad). El coro de apertura, a gran escala y con partitura completa, sobre un t...

The office as a priest and the long years as musical director of the Ospedale della Pietà (a large orphonage in Venice) both occasioned and inspired him to compose church music in large variety. The M...

Con la Missa Sancti Amandi, compuesta en 1776, Haydn creó una misa festiva "in pieno", es decir, para coro y orquesta sin solistas vocales. A pesar de la gran densidad de su partitura, esta obra se ca...

Probably following a special Leipzig tradition, Bach added four extra movements to the first version of his Magnificat BWV 243a (in E flat major); these can be inserted in performances of the Magnific...