Partituras de Música clásica (época barroca) para Coro mixto (SATB), 2 violines y bajo continuo

versión reconstruida (2001) Esta edición es una edición revisada de la Pasión de San Marcos de 1723, publicada en 1964 por Diethard Hellmann y reconstruida según modelos de parodia, con un nuevo prefa...

Également inclus dans le set

The cantata 'Höchsterwünschtes Freudenfest' BWV 194 was composed for an organ dedication on 2 November 1723 in Störmthal, Saxony. A year later, and with just a few alterations, the cantata was perform...

Georg Philipp Telemann has long been perceived as a composer of sacred music, and particularly of the German-language church cantata. However, in the course of his long life he also composed church wo...

Georg Philipp Telemann has long been perceived as a composer of sacred music, and particularly of the German-language church cantata. However, in the course of his long life he also composed church wo...

In der Kantate Ich armer Mensch, ich Sündenknecht hat Bach ein Höchstmaß an Ausdrucksstärke mit geringen vokalen Mitteln (Solotenor, nur der Schlusschoral vierstimmig) geschaffen. Die drei letzten Sät...

Georg Philipp Telemann has long been perceived as a composer of sacred music, and particularly of the German-language church cantata. However, in the course of his long life he also composed church wo...

Georg Philipp Telemann has long been perceived as a composer of sacred music, and particularly of the German-language church cantata. However, in the course of his long life he also composed church wo...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

Bach's cantata 'My God alone this heart possesses' BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent res...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stude...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

Bach's cantata 'My God alone this heart possesses' BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent res...

Bach's cantata 'My God alone this heart possesses' BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent res...

Bach's cantata 'My God alone this heart possesses' BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent res...