Partituras de Música clásica (época barroca) para Coro mixto (SATB) y bajo continuo

Great Baroque church music full of color and powerful imagery! 'Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas s...

Great Baroque church music full of color and powerful imagery! 'Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas s...

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

La cantata a dos partes del 3er ciclo de cantatas de Bach se estrenó el 4 de agosto de 1726 (7º domingo después de la Trinidad). El coro de apertura, a gran escala y con partitura completa, sobre un t...

Con la Missa Sancti Amandi, compuesta en 1776, Haydn creó una misa festiva "in pieno", es decir, para coro y orquesta sin solistas vocales. A pesar de la gran densidad de su partitura, esta obra se ca...

Probably following a special Leipzig tradition, Bach added four extra movements to the first version of his Magnificat BWV 243a (in E flat major); these can be inserted in performances of the Magnific...

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

La cantata de seis movimientos BWV 164 se estrenó en Leipzig el 26 de agosto de 1725. El texto fue escrito por el compositor de cantatas de Weimar de Bach, Salomon Franck, y apareció en su colección "...

The cantata 'Ärgre dich, o Seele, nicht' (Fret thee not, thou mortal soul) BWV 186 is in a sense the companion work to the much better-known cantata 'Herz und Mund und Tat und Leben' BWV 147. Both wer...

La cantata "Ärgre dich, o Seele, nicht" BWV 186 es hasta cierto punto la obra hermana de la mucho más conocida cantata "Herz und Mund und Tat und Leben" BWV 147. Ambas fueron compuestas en el Adviento...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...

La cantata "Nun danket alle Gott" BWV 192 se basa únicamente en el conocido himno. Es, por tanto, una de las pocas cantatas corales que no contienen otros textos poéticos libres. En consecuencia, tamp...

Mit nicht einmal 20 Lebensjahren entzog sich der jüngste Sohn des Leipziger Thomaskantors Johann Sebastian Bach der lutherisch geprägten Musiktradition seiner Familie: Johann Christian Bach (1735-1782...

Mit nicht einmal 20 Lebensjahren entzog sich der jüngste Sohn des Leipziger Thomaskantors Johann Sebastian Bach der lutherisch geprägten Musiktradition seiner Familie: Johann Christian Bach (1735-1782...

The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...

The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...

The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...