Partituras de Música clásica (época barroca) para Coro mixto (SATB)

Carsten Klomp hat für die vorliegende Ausgabe den Orchestersatz der 1. Kantate aus Johann Sebastian Bachs Weihnachtsoratorium auf die Orgel übertragen. Damit ermöglicht er nicht nur eine Aufführung in...

With the edition of the Christmas Oratorio within the framework of the Stuttgart Bach Editions, Carus presents a scholarly edition for practical performance. The basis for this publication are Bach's...

For this work carus music the choir app, is available. In addition to the vocal score and a recording, the app offers a coach which helps to learn the choral parts. Please find more information at www...

El Oratorio de Navidad de Bach se ha publicado como edición académica para uso práctico en el marco de las Ediciones Bach de Stuttgart. La edición se basa en la partitura autógrafa de Bach y en las pa...

Johann Sebastian Bach (1685-1750) compuso por primera vez el texto del Magnificat, BWV 243, en 1723, tras asumir su cargo de Thomaskantor en Leipzig, pero en la tonalidad de mi bemol. Esta versión ori...

Johann Sebastian Bach (1685-1750) compuso por primera vez el texto del Magnificat, BWV 243, en 1723, tras asumir su cargo de Thomaskantor en Leipzig, pero en la tonalidad de mi bemol. Esta versión ori...

Johann Sebastian Bach (1685-1750) compuso por primera vez el texto del Magnificat, BWV 243, en 1723, tras asumir su cargo de Thomaskantor en Leipzig, pero en la tonalidad de mi bemol. Esta versión ori...

La más famosa de las obras de Vivaldi titulada Gloria (RV 589), esta edición de Clayton Westermann incluye un breve prefacio para explicar la práctica interpretativa. De las tres Glorias grabadas que...

Bach was not able to use the Weimar Advent cantata 'Ärgre dich, o Seele, nicht' BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. B...

Bach was not able to use the Weimar Advent cantata 'Ärgre dich, o Seele, nicht' BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. B...

Bach was not able to use the Weimar Advent cantata 'Ärgre dich, o Seele, nicht' BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. B...

for soli (SATB), mixed choir and orchestra

In the period around 1700, numerous settings of the Magnificat were performed in the main Leipzig churches. Works by composers such as J. Kuhnau and G. P. Telemann survive; however, the best-known exa...

La conocida cantata eclesiástica de Bach "Schwingt freudig euch empor" BWV 36, que se estrenó en su versión definitiva en la Nikolaikirche de Leipzig el 1 de Adviento de 1731, se remonta a una cantata...

The cantata 'Ärgre dich, o Seele, nicht' (Fret thee not, thou mortal soul) BWV 186 is in a sense the companion work to the much better-known cantata 'Herz und Mund und Tat und Leben' BWV 147. Both wer...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

El texto de la cantata coral, estrenada el 26 de diciembre de 1724, se basa en la traducción de Lutero del himno cristiano primitivo A solis ortus cardinem. La obra, de seis movimientos, contiene dos...

The cantata O heilige Zeit [O Holy Time] of the former St. Thomas cantor Johann Kuhnau is the ideal baroque festive music for small scorings. Even though this is the larger of two cantatas with this t...

If we look back to the beginning of the Protestant Church, over 500 years ago, beyond its central theological and historical aspects, then we must consider the priceless cultural and artistic impulses...