Partituras de Música clásica (época barroca) para Coro

Carus Choir Coach' bietet Chorsängern die einzigartige Möglichkeit ihre Chorstimme im Gesamtklang von Chor und Instrumenten mittels CD individuell einzustudieren. Für jede Stimmlage ist eine separate...

The harrowing Old Testament story of the army commander Jephthah, bound by a sacred vow to kill his daughter, inspired the Roman composer Giacomo Carissimi to create this intense and moving setting. W...

The harrowing Old Testament story of the army commander Jephthah, bound by a sacred vow to kill his daughter, inspired the Roman composer Giacomo Carissimi to create this intense and moving setting. W...

The harrowing Old Testament story of the army commander Jephthah, bound by a sacred vow to kill his daughter, inspired the Roman composer Giacomo Carissimi to create this intense and moving setting. W...

El "Gloria en re" RV 589 es una de las obras sacras más famosas de Vivaldi. Esta obra musicalmente representativa, en el estilo de la llamada "misa cantata", está dividida en 12 partes, que difieren e...

Nachdem Schütz nach dem Tode Gabrielis von seinem Aufenthalt in Venedig in seine Heimat zurückkehrte, begann er die erworbenen Eindrücke musikalisch zu verarbeiten. Vor allem das mehrchörige Musiziere...

Bach wrote the cantata 'Du wahrer Gott und Davids Sohn' as a test piece in connection with his application for the position of Cantor of St. Thomas. For reasons unknown, Bach considered it necessary t...

Également inclus dans le set

Également inclus dans le set

Für diese Choralkantate übernahm Bach die 1, 4 und 7 Strophe des gleichnamigen Chorals von Georg Neumark. Die anderen Strophen sind dagegen mit freien Nachdichtungen vermischt worden.

La cantate Ich glaube, lieber Herr, hilf meinem Unglauben BWV 109 (Je crois, cher Seigneur), composée pour le 21e dimanche après la Trinité 1723, est caractérisée par un dialogue entre foi et incrédul...

It seems likely that the composition of this work was connected with a penitential service held in the Marienkirche in Mühlhausen to commemorate the disastrous fire which had destroyed large parts of...

The cantata for the 20th Sunday after Trinity. 'Ah! I see now, as I to the wedding bidden', BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his...

The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...

The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...

The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...

The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...

The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...