Partituras de Música clásica (época barroca) para Coro

Singing music from the Baroque period can often be daunting. Here is a wonderful introduction to this important style that is approachable and enjoyable for your young singers. Only 6 Latin words are...

A beautiful choral based on Bach's 'Siciliano' flute sonata with simple Latin text of three words. Suitable for concert, contest, and festival, various age groups.

A beautiful choral based on Bach's 'Siciliano' flute sonata with simple Latin text of three words. Suitable for concert, contest, and festival, various age groups.

A well-crafted choral work incorporating Bach's famous 'Air' from orchestral Suite in D, the best loved carol, 'Still, Still, Still,' and just a touch of 'O Holy Night. ' A simple adaptation of Bach's...

Las 37 canciones religiosas que componen la colección de Charles de Courbes fueron publicadas en 1622 por Pierre Ballard, el compositor de Luis XIII. Se trata de polifonías muy variadas, que abarcan t...

Las 37 canciones religiosas que componen la colección de Charles de Courbes fueron publicadas en 1622 por Pierre Ballard, el compositor de Luis XIII. Se trata de polifonías muy variadas, que abarcan t...

Introducing Gounod's beloved 'Ave Maria,' based on a prelude from J.S. Bach's Well-Tempered Clavier, in an accessible choral arrangement. The melody passes through all voices, while well-written chora...

From master composer Antonio Vivaldi's Laetatus Sum (a setting of Psalm 121), this edition brings the brief work to today's choirs. Featuring an accessible Latin text and a lively optional cello part,...

From master composer Antonio Vivaldi's Laetatus Sum (a setting of Psalm 121), this edition brings the brief work to today's choirs. Featuring an accessible Latin text and a lively optional cello part,...

Joy instantly abounds as the well-edited keyboard introduction sets the tone for this impressive, yet approachable Baroque selection - the first movement of Vivaldi's masterwork of the same name. Chor...

Joy instantly abounds as the well-edited keyboard introduction sets the tone for this impressive, yet approachable Baroque selection - the first movement of Vivaldi's masterwork of the same name. Chor...

Haendel compuso el "Te Deum" en si bemol mayor HWV 281 en 1718 para el que más tarde sería duque de Chandos. Por ello, la obra pasó a conocerse como el "Te Deum de Chandos", pero aquí nos referiremos...

Experience one of the most radiant highlights in choral music history: The world-renowned "Hallelujah" chorus (No. 39) from George Frideric Handel’s masterpiece "Messiah" (HWV 56) has captivated audie...

Die drei großen Motetten Quam dilecta, In convertendo und Deus noster refugium, die Jean-Philippe Rameau um 1713 bis 1715 komponierte, sind bis heute relativ unbekannt geblieben. Und dennoch stellen d...

Los tres grandes motetes Quam dilecta, In convertendo y Deus noster refugium, que Jean-Philippe Rameau compuso entre 1713 y 1715, han permanecido relativamente desconocidos hasta nuestros días. Sin em...

Los tres grandes motetes Quam dilecta, In convertendo y Deus noster refugium, que Jean-Philippe Rameau compuso entre 1713 y 1715, siguen siendo hoy relativamente desconocidos. Esto se debe a que no fu...

Giacomo Carissimi, primer gran maestro del oratorio y autor de numerosos motetes concertantes y cantatas solistas del bel canto italiano, compuso también varias misas. La Missa concertata en do para 2...

In good time for the Reformation anniversary year 2017, this edition offers four distinctive movements from Johann Sebastian Bach's Reformation cantatas in arrangements for choir and organ. From the c...

In good time for the Reformation anniversary year 2017, this edition offers four distinctive movements from Johann Sebastian Bach's Reformation cantatas in arrangements for choir and organ. From the c...

Saul erstmals in der von Händel selbst dirigierten Fassung. Saul gehört zu den dramatischsten Oratorien Händels. Wie kaum in einem anderen Oratorium zeigt sich in seiner mitreißenden Dramatik die Nähe...

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....