Partituras de Música clásica (época barroca) para Solistas, coro mixto y orquesta

Soli SSTB, Coro SATB, 2 Fl, 2 Ob, Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

Soli SSTB, Coro SATB, 2 Fl, 2 Ob, Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

Soli SSTB, Coro SATB, 2 Fl, 2 Ob, Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

Soli SSTB, Coro SATB, 2 Fl, 2 Ob, Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

Soli SSTB, Coro SATB, 2 Fl, 2 Ob, Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

Stimmen im Set: 5x Violine 1; 4x Violine 2; 3x Viola; 4x Generalbass; 1x Orgel

Soli SSTB, Coro SATB, 2 Fl, 2 Ob, Fg, 2 Cor, 3 Tr, Timp, 2 Vl, Va, Bc

Soli: Sopran (Galatea), 2 Tenöre (Acis, Damon), Bass (Polyphemus) Coro SATTB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, Corno inglese, 2 Tr, Timp, 2 Vl, Va, Vc, Bc Sprache: deutsch Anlässlich des gemeinsamen Ge...

Soli: Sopran (Galatea), 2 Tenöre (Acis, Damon), Bass (Polyphemus) Coro SATTB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, Corno inglese, 2 Tr, Timp, 2 Vl, Va, Vc, Bc Sprache: deutsch Anlässlich des gemeinsamen Ge...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

Antonio Vivaldi (1678-1741) compuso probablemente tres composiciones del himno Gloria in excelsis Deo, aunque sólo se conservan dos. Era habitual que Vivaldi escribiera motetes introductorios para ser...

'Belshazzar' ist mit seinen ausführlichen Szenenanweisungen und den vielen kurzen Formen wie Accompagnato-Rezitativen und Ariosi das dramatischste unter Georg Friedrichs Händels Oratorien. De facto ha...

Händels Utrechter Te Deum HWV 278 begeisterte schon bei seiner ersten Aufführung die Londoner Zuhörer und tut dies noch heute in den Konzertsälen und Kirchen weltweit. Es erklang zum ersten Mal in ein...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

Händels Utrechter Te Deum HWV 278 begeisterte schon bei seiner ersten Aufführung die Londoner Zuhörer und tut dies noch heute in den Konzertsälen und Kirchen weltweit. Es erklang zum ersten Mal in ein...

In 1953, with timpani and trumpets à la Marseillaise, a French piece of music once again captured public attention ('Eurovision Hymn') and a composer was rediscovered: the first recording of Marc-Anto...

El libretista de Johann Sebastian Bach, Salomon Franck, llamó "Frohlockender Götterstreit" a la música de felicitación para la corte de Sajonia-Weissenfels, que hoy se conoce generalmente como la "Can...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...