Partituras de Música clásica (época clásicista) dificil

> New critical performing editions at the cutting edge of scholarship > Optimum page-turns > Introductions with valuable notes on historical performance practice (Eng/Ger) and Critical Commentaries (E...

Owing to severe illness, Beethoven had to wait for over a year after completing op. 109 before beginning work on the second piece in his triptych of late sonatas: the Piano Sonata in A-flat major op....

Mit Hinweisen zur Aufführungspraxis von Jonathan Del Mar und Misha Donat

Tras la edición de la aclamada edición Urtext en volúmenes individuales, Bärenreiter presenta las 35 sonatas para piano de Beethoven en una edición completa en tres volúmenes. El editor de esta edició...

Following the critically acclaimed publication of the 35 Piano Sonatas in separate editions, Bärenreiter now presents Beethoven's Complete Piano Sonatas in three volumes. This edition, which is unpara...

Beethoven allegedly told his publisher Artaria, in connection with this Sonata, that 'Here you have a sonata that will be a hard nut to crack'. Indeed, the enormous dimensions of the work, which was s...

Beethoven once reported that he had written down his three last piano sonatas (op. 109, 110, 111) in 1820 to 1822 in one go, and they certainly form a closely related group. Beethoven dedicated his ve...

Next to the Moonlight and the Waldstein Sonatas, the Appassionata is no doubt the most celebrated of Beethoven's piano sonatas and claims, with the latter two works, a new high point in the composer's...

This volume presents a piece that belongs in the standard repertoire of every flautist: the Concerto for flute and orchestra, K. 314 (285d), in D Major by Wolfgang Amadeus Mozart. This piece is also k...

Con las dos sonatas de su Opus 27, Beethoven abrió nuevos caminos formales a principios del siglo XIX. La segunda, llamada Sonata quasi una Fantasia, se hizo inmortal con el sobrenombre de Sonata Clar...

> Scholarly-critical Urtext edition based on the latest research findings > Enlightening Introduction and notes on period performance practice (Eng/Ger) > Well-presented engraving > Practical page tur...

> Scholarly-critical Urtext edition at the cutting edge of scholarship > New readings > Based on an evaluation of all available sources > Reader-friendly layout and practical page turns > Informative...

Tras la edición de la aclamada edición Urtext en volúmenes individuales, Bärenreiter presenta las 35 sonatas para piano de Beethoven en una edición completa en tres volúmenes. El editor de esta edició...

... ¡Pasará mucho tiempo antes de que alguien mejore fundamentalmente este texto musical y el aparato crítico que lo acompaña!. (Leslie Howard). Con su edición de las sonatas para piano de Beethoven,...

Beethoven's 'Diabelli Variations', written between 1819 and 1823, mark the pinnacle of his oeuvre for variations and next to Bach's 'Goldberg Variations' form one of the most important contributions t...

Sonata quasi una fantasia' was Beethoven's title, and yet the music world knows this composition as the 'Moonlight Sonata' - an epithet that was already in the air during the composer's lifetime. 'The...

This work, in two movements and dating from 1804, is clearly among the lesser-known of Beethovens 32 piano sonatas. The lack of a sonata-movement form, the old-fashioned heading 'In Tempo d'un Menuett...

Beethoven gave this sonata the unusual title 'Sonata quasi una Fantasia,' which it shares, along with its opus number, with the considerably more famous 'Moonlight' Sonata. Both sonatas - along with t...

This rondo for piano was composed in 1794/95 and has become known primarily by its sobriquet "The rage over the lost penny". However, this did not originate with the composer himself, but rather added...