Partituras de Música de Semana Santa para Coro mixto (SATB): Variedad

Salzburger Kirchenmusik - Offertorium zum Ostersonntag - Entstanden ist Eberlins programmatische Vertonung des Offertoriums 'Terra tremuit' für die festliche Liturgie des Ostersonntags am Salzburger D...

Bisher hatte man angenommen, die Messe in G sei in ihrer Originalgestalt nur mit Streichern und Orgel besetzt. Die sensationelle Entdeckung eines weiteren Stimmensatzes in Schuberts Handschrift durch...

Pietro Metastasios Libretto zur 'azione sacra' 'La Passione di Gesù Cristo' (1730) ist ein Prototyp des italienischsprachigen katholischen Oratoriums im 18. Jahrhundert, bei dem der Wortlaut der Bibel...

I. Der leidende, sterbende und begrabene Jesus (Fassung Rudolstadt 1748) II. Passio Christi, secundum Ioannem (Fassung Freiberg 1755) Unerforschte 'weiße Flecken' auf Mitteldeutschlands musikalischer...

I. Der leidende, sterbende und begrabene Jesus (Fassung Rudolstadt 1748) II. Passio Christi, secundum Ioannem (Fassung Freiberg 1755) Unerforschte 'weiße Flecken' auf Mitteldeutschlands musikalischer...

Osteroratorium für Solisten (Sopran, Bariton, Sprecher) 4-stg. gem. Chor und Orchester (Fl., 2 OB. (Eh.), Fg., Hr., Trp., Streicher, Schlagzeug

Osteroratorium für Solisten (Sopran, Bariton, Sprecher) 4-stg. gem. Chor und Orchester (Fl., 2 OB. (Eh.), Fg., Hr., Trp., Streicher, Schlagzeug

Oratorium für szenische oder konzertante Aufführung Text: Ulrike Krumm unter Mitarbeit eines Teams aus Hartmut Greiling, Dorothee Löhr, Eva Martin-Schneider, Claudia Stein, Christiane Michel-Ostertun...

Pietro Metastasios Libretto zur 'azione sacra' 'La Passione di Gesù Cristo' (1730) ist ein Prototyp des italienischsprachigen katholischen Oratoriums im 18. Jahrhundert, bei dem der Wortlaut der Bibel...

Die zeitgenössische Kritik sah in Rheinbergers 1864 entstandenem Stabat Mater op. 16 'eines der schönsten Werke, welches die neuere Zeit in dieser Richtung aufzuweisen hat. Ausgezeichnet durch breite...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

Regina Caeli in C Major, K. 276 by Wolfgang Amadeus Mozart (1756-1791) was written ca. 1779 during the composer's time at the Salzburg Cathedral. The third of three settings of the Marian antiphon Reg...

This Marian text for Eastertide, Regina caeli, was set four times by Morales. This setting for four voices was first published in the Spanish composer's 1543 collection and notated in high clefs.

This lyrical and charming setting of 'Now the Green Blade Riseth' from The Oxford Book of Carols depicts the pastoral images describing Christ's Resurrection with a gentle folksong-like tune and simpl...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

Composer Jonathan Shippey has scored this masterful Easter anthem incorporating the tunes Lancashire and Ellacombe. For mixed voices with keyboard and trumpet, a reproducible congregational part is al...

The Mass of the Resurrection is based upon three principal themes, namely the Solemn Tone of the Gregorian Te Deum laudamus, the Great Alleluia, and the splendid Easter Sequence Victimæ Paschali laude...

Composed in a neo-baroque vernacular, this Easter anthem brings brightness and a spirit of joy into the sanctuary. Using the familiar theme from LOBE DEN HERREN mingled with the 'Hornpipe' from Handel...

Composed in a neo-baroque vernacular, this Easter anthem brings brightness and a spirit of joy into the sanctuary. Using the familiar theme from LOBE DEN HERREN mingled with the 'Hornpipe' from Handel...