Partituras de Música de Semana Santa para Coro mixto (SATB): Variedad

I. Der leidende, sterbende und begrabene Jesus (Fassung Rudolstadt 1748) II. Passio Christi, secundum Ioannem (Fassung Freiberg 1755) Unerforschte 'weiße Flecken' auf Mitteldeutschlands musikalischer...

Osteroratorium für Solisten (Sopran, Bariton, Sprecher) 4-stg. gem. Chor und Orchester (Fl., 2 OB. (Eh.), Fg., Hr., Trp., Streicher, Schlagzeug

Osteroratorium für Solisten (Sopran, Bariton, Sprecher) 4-stg. gem. Chor und Orchester (Fl., 2 OB. (Eh.), Fg., Hr., Trp., Streicher, Schlagzeug

Oratorium für szenische oder konzertante Aufführung Text: Ulrike Krumm unter Mitarbeit eines Teams aus Hartmut Greiling, Dorothee Löhr, Eva Martin-Schneider, Claudia Stein, Christiane Michel-Ostertun...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

Regina Caeli in C Major, K. 276 by Wolfgang Amadeus Mozart (1756-1791) was written ca. 1779 during the composer's time at the Salzburg Cathedral. The third of three settings of the Marian antiphon Reg...

This Marian text for Eastertide, Regina caeli, was set four times by Morales. This setting for four voices was first published in the Spanish composer's 1543 collection and notated in high clefs.

This lyrical and charming setting of 'Now the Green Blade Riseth' from The Oxford Book of Carols depicts the pastoral images describing Christ's Resurrection with a gentle folksong-like tune and simpl...

This Kevin McChesney setting is an uplifting arrangement reflecting the Easter text Now the Green Blade Riseth. NOEL N OUVELET- The choral setting of the beloved French Carol, NOEL N OUVELET, include...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

Composer Jonathan Shippey has scored this masterful Easter anthem incorporating the tunes Lancashire and Ellacombe. For mixed voices with keyboard and trumpet, a reproducible congregational part is al...

The Mass of the Resurrection is based upon three principal themes, namely the Solemn Tone of the Gregorian Te Deum laudamus, the Great Alleluia, and the splendid Easter Sequence Victimæ Paschali laude...

Composed in a neo-baroque vernacular, this Easter anthem brings brightness and a spirit of joy into the sanctuary. Using the familiar theme from LOBE DEN HERREN mingled with the 'Hornpipe' from Handel...

Composed in a neo-baroque vernacular, this Easter anthem brings brightness and a spirit of joy into the sanctuary. Using the familiar theme from LOBE DEN HERREN mingled with the 'Hornpipe' from Handel...

This majestic Easter anthem has been elevated to dramatic regal status by Richard Nichols with a new setting for SATB Choir and Organ, with optional Brass and Percussion.

Featuring a mezzo-soprano solo, this dramatic setting by Rosephanye Powell will be instantly embraced by your choir and congregation. Appropriate for the Easter season, you will also find this anthem...

Fairly ambitious five-minute Easter production for SATB, soprano solo, optional congregation, and organ, based on Judas Maccabeus, by G. F. Handel, with original music and hymn setting by John Ness Be...

Urtext de la Nueva Edición Bach - Cantata para el Domingo de Pascua. Soprano solista, Alto solista, Tenor solista, Bajo solista, Coro mixto-SATB; Trompeta/ Cornetto/ Zinc, Trombón (3), Cuerdas, Bajo c...

Kantate zum 1. Ostertag (Weimarer und Leipziger Fassung). Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, 1 (3) Ob, (Englischhorn, Fagott), Trompete (3), Pauke, Streicher, Basso continuo

¡La cantata de Johann Sebastian Bach "Der Himmel lacht! Die Erde jubilieret" BWV 31 fue compuesta en Weimar para el domingo 21 de abril de 1715. El texto de Salomon Franck está estrechamente vinculado...

Como la mayoría de sus obras, la "Pasión de San Juan" de Johann Sebastian Bach no ha sobrevivido en una versión definitiva -por ejemplo, como edición impresa o copia fiel-, sino en cuatro versiones di...