Partituras de Música de Semana Santa para Coro mixto: Versatilidad

Victimae paschali laudes is an atmospheric arrangement of the plainsong melody for this Latin text for Easter Sunday. Lawson employs interjections of 'alleluia' within the main text as an expression o...

This expressive, proclamatory setting of verses from George Herbert's 'Easter' features eminently singable vocal lines, antiphonal writing, and imaginative word-painting.

This expressive, proclamatory setting of verses from George Herbert's 'Easter' features eminently singable vocal lines, antiphonal writing, and imaginative word-painting.

for SATB unaccompanied This setting of Phineas Fletcher's text is gentle and flowing, with a lilting, descending motif to characterise the 'slow tears'. Archer offers nuanced dynamics and imitative e...

This setting of Phineas Fletcher's text is gentle and flowing, with a lilting, descending motif to characterise the 'slow tears'. Archer offers nuanced dynamics and imitative entries in this simple bu...

This is a declamatory setting of a popular Easter text by Gerard Manley Hopkins in an upbeat 7/8 metre. Featuring compelling interplay between choral sections, a slower reflective passage, and a rousi...

This collection presents some of most attractive carols by the composer Charles Wood and the hymnodist, antiquarian, linguist, and musician G.R. Woodward, who both composed his own music and provided...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

Dutch / arr. C. Wood

Dutch / arr. C. Wood

An Easter motet in honour of Mary

An Easter motet in honour of Mary

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

O sing unto the Lord a new song! – With "Cantate Domino", the renowned Carus-Verlag presents a powerful and festive choral work that brings brilliance to any performance. Set for a six-part mixed choi...

Immerse yourself in the deeply moving soundscape of the Passion season: "Tenebrae factae sunt" is a poignant responsory for the Matins of Good Friday. This masterpiece of sacred choral music captures...