Partituras de Música de Semana Santa para Coro: Selección magistral

El "Réquiem" de Gabriel Fauré es la más conocida de las grandes obras del compositor. Aparentemente no escrita para la muerte de ninguna persona en particular, escribió sobre la obra: "Todo lo que con...

Osteroratorium für Solisten (Sopran, Bariton, Sprecher) 4-stg. gem. Chor und Orchester (Fl., 2 OB. (Eh.), Fg., Hr., Trp., Streicher, Schlagzeug

Osteroratorium für Solisten (Sopran, Bariton, Sprecher) 4-stg. gem. Chor und Orchester (Fl., 2 OB. (Eh.), Fg., Hr., Trp., Streicher, Schlagzeug

Oratorium für szenische oder konzertante Aufführung Text: Ulrike Krumm unter Mitarbeit eines Teams aus Hartmut Greiling, Dorothee Löhr, Eva Martin-Schneider, Claudia Stein, Christiane Michel-Ostertun...

Pietro Metastasios Libretto zur 'azione sacra' 'La Passione di Gesù Cristo' (1730) ist ein Prototyp des italienischsprachigen katholischen Oratoriums im 18. Jahrhundert, bei dem der Wortlaut der Bibel...

Die zeitgenössische Kritik sah in Rheinbergers 1864 entstandenem Stabat Mater op. 16 'eines der schönsten Werke, welches die neuere Zeit in dieser Richtung aufzuweisen hat. Ausgezeichnet durch breite...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

Regina Caeli in C Major, K. 276 by Wolfgang Amadeus Mozart (1756-1791) was written ca. 1779 during the composer's time at the Salzburg Cathedral. The third of three settings of the Marian antiphon Reg...

The American folk-hymn with a new, powerful text, which expands it's scope and usefulness: ideal for both Easter and general Sunday services. The American folk-hymn with a new, powerful text, which ex...

Commemorate the 200th anniversary of Mozart's death with this lilting song of praise for SAB voices. Adapted from the Dona nobis pacem section of his Missa Brevis in F, K. 192 with an English text dra...

This Marian text for Eastertide, Regina caeli, was set four times by Morales. This setting for four voices was first published in the Spanish composer's 1543 collection and notated in high clefs.

This lyrical and charming setting of 'Now the Green Blade Riseth' from The Oxford Book of Carols depicts the pastoral images describing Christ's Resurrection with a gentle folksong-like tune and simpl...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

Composer Jonathan Shippey has scored this masterful Easter anthem incorporating the tunes Lancashire and Ellacombe. For mixed voices with keyboard and trumpet, a reproducible congregational part is al...

The Mass of the Resurrection is based upon three principal themes, namely the Solemn Tone of the Gregorian Te Deum laudamus, the Great Alleluia, and the splendid Easter Sequence Victimæ Paschali laude...

The surprising joy of the Resurrection is conveyed through jubilant fanfares in the accompaniment and a shifting of the rhythm between 3/4 and implied 6/8 meters. As the mood softens, a more melodic s...

Composed in a neo-baroque vernacular, this Easter anthem brings brightness and a spirit of joy into the sanctuary. Using the familiar theme from LOBE DEN HERREN mingled with the 'Hornpipe' from Handel...

Following his early departure from the opera stage in 1829, besides chamber music Gioachino Rossini composed only larger scored works of church music. The Stabat Mater is among these. It was composed...

Following his early departure from the opera stage in 1829, besides chamber music Gioachino Rossini composed only larger scored works of church music. The Stabat Mater is among these. It was composed...

Tras su temprano abandono de los escenarios operísticos en 1829, Gioachino Rossini sólo compuso música sacra de mayor envergadura, además de música de cámara. Entre ellas figura el "Stabat Mater", com...

Following his early departure from the opera stage in 1829, besides chamber music Gioachino Rossini composed only larger scored works of church music. The Stabat Mater is among these. It was composed...