Partituras de Música de Semana Santa: Sonidos de Pasión y Alegría

This attractive anthem demonstrates Archer's gift for melody and structure. Tuneful and appealing, it can be used at any time within the Church's year but is particularly suitable during Advent and Ea...

This Easter anthem is a triumphant setting of words by Edmund Spenser and St John Damascene, featuring joyful choral parts, and ending with a new harmonization of the Easter hymn tune 'Ellacombe', wit...

This Easter carol is based on J. M. Neale's translation of the Latin Piae Cantiones and occupies a captivatingly exotic soundworld. Sheehan's setting is in strophic form, with a texture that builds fr...

This triumphant anthem for mixed voices and organ sets a well-known Easter text by Edmund Spenser. Building from a calm, reflective soprano melody to a grandiose fortissimo climax for full choir under...

This Easter anthem sets the second part of George Herbert's poem 'Easter'. The opening section has an almost pastoral feel, with the sopranos and altos presenting a lilting melody in thirds, underpinn...

The rhythmic power of 'Videntes Stellam Magi' is echoed in this jubilant finale. Instrumental material is available on hire.

Setting an invigorating Easter text from the Song of Songs, this episodic anthem is full of expressive passages and lyrical melodies. The canonical soprano parts are echoed in the lower voices, contri...

Archer's setting of this popular Easter hymn by G. R. Woodward is sparkling with energy, combining the exuberant seventeenth-century Dutch melody with short organ interjections. An exciting addition t...

For this joyful arrangement of Henry T. Smart's hymn tune Regent Square, Mack Wilberg has adapted Thomas Kelly's celebratory Easter hymn 'He is Risen Today' and provided an alternative text for use du...

Because of Him es un himno sagrado de Mack Wilberg, con letra de su colaborador David Warner. Especialmente apropiada para la Pascua, la pieza utiliza la melodía del himno "Prospect", que procede orig...

Eleanor Daley sets well-loved texts by George Herbert in this suite of three pieces. They may be performed separately as part of a church service, or together for an impressive concert piece. This sui...

Eleanor Daley sets this Wesley text in an antiphonal style between the SATB choir and organ (or brass quartet, parts sold separately). The sound is majestic and declamatory, just as one would expect f...

Opening with a triumphant fanfare, this celebrative anthem then moves immediately to the classic 'I Know That My Redeemer Liveth' and 'Christ the Lord Is Risen Today.' Optional congregational particip...

Mary McDonald has created a new song which captures the excitement of that first Easter Day. This medium-tempo ballad has a gently contemporary feel, which will be easily learned and highly appealing...

An exquisite new offering from Howard Helvey! The text is general enough to be appropriate during most of the liturgical year, but the resurrection imagery makes the anthem especially suitable during...

For Eastertide, Ascensiontide, or all year, Howard Helvey's new offering is based on the composer's own original hymn tune. The themes of love, light, outreach, mission and more are present in this ly...

Urtext de la Nueva Edición Bach - Cantata para el Domingo de Pascua. Soprano solista, Alto solista, Tenor solista, Bajo solista, Coro mixto-SATB; Trompeta/ Cornetto/ Zinc, Trombón (3), Cuerdas, Bajo c...

Kantate zum 1. Ostertag (Weimarer und Leipziger Fassung). Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, 1 (3) Ob, (Englischhorn, Fagott), Trompete (3), Pauke, Streicher, Basso continuo

¡La cantata de Johann Sebastian Bach "Der Himmel lacht! Die Erde jubilieret" BWV 31 fue compuesta en Weimar para el domingo 21 de abril de 1715. El texto de Salomon Franck está estrechamente vinculado...

Lesungsmusik zur Todesstunde Jesu. Chor: Introitus und Conclusio Gemischter Chor-SATTB - Chorpartitur

Osterkantate für Solostimmen, Chor und Instrumente. Sopran solo (2), Alt solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, Trompete (2), Pauke, Streicher, Basso continuo. Die Chorpartitur enthält au...

5 Motetten (Nr. 4-8) aus 'Cantiones sacrae 1625'. Urtext der Neuen Schütz-Ausgabe (lateinisch/deutsch). Gemischter Chor-SATB, Basso continuo ad lib. - Singpartitur; Spielpartitur

5 Motetten (Nr. 4-8) aus 'Cantiones sacrae 1625'. Urtext der Neuen Schütz-Ausgabe (lateinisch/deutsch). Gemischter Chor-SATB, Basso continuo ad lib. - Singpartitur; Spielpartitur