Partituras de Música espiritual y eclesiástica medio

Eine kontemplative und ergreifende Vertonung der beiden ersten Verse aus Psalm 91 ('Wer im Schutz des Höchsten wohnt'), die von Gottes Schutz für diejenigen berichtet, die ihm folgen. Geschrieben wurd...

O magnum mysterium was written in 2013 and is dedicated to Dawn Herbert, the composer’s ex-wife and the mother of his son, Reginald. It was written while staying at her family’s farm in Cambridgeshire...

Commissioned by the Choir of Pembroke College, Cambridge, for the first ever BBC Radio 3 Choral Evensong broadcast from the college, this introit or short motet was written to commemorate the occasion...

Above the central prayer of Christianity, the composition with its dense sounds and atmospheric colours develops a mood of profound awe and self-contained strength. An expressive composition of our ne...

The Veil of the Temple is a journey from darkness into light. Care and attention has been given to the key chosen for each anthem and to the voicings, so that these versions are attractive to the br...

Award-winning contemporary Polish composer Pawel Lukaszewski is highly celebrated as a creator of sacred Choral music. His style owes everything to the great traditions of Western music, though his ha...

SATB arrangement of this haunting sacred choral work. Includes a Piano part for rehearsal purposes.

Pawel Lukaszewski is a Polish composer specialising in sacred and choral music. His works have been performed all around the globe, and he has won awards for his work including first prize at the Fred...

James Whitbourn's Beatus Vir for SSATB choir with a Piano accompaniment for rehersal. Commissioned for the Choir of St Matthew's Church, Northampton. First performed on St Matthew's Day, 21 September...

Johann Kuhnaus überliefertes Vokalwerk wird den Katalog von Breitkopf & Härtel in den kommenden Jahren vollständig ergänzen. In der Regel sprechen wir dabei con Kantaten, zumindest jedoch von Werken m...

After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir—twice.“ In this very sound-...

After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir-twice.“ In this very sound-...

This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...

This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...

In this interesting motet by Bruckner, short imitative choral sections alternate with monophonic chorale passages. There are also sections in the old falsobordone setting. The short work on a verse fr...

In this interesting motet by Bruckner, short imitative choral sections alternate with monophonic chorale passages. There are also sections in the old falsobordone setting. The short work on a verse fr...