Partituras de Música espiritual y eclesiástica medio

Pascal Martiné is a much sought-after choral composer, both at home and abroad. The fact that the founder and director of the women's choir 'Luna' from Mainz has developed a special interest in the pu...

Anyone who likes refined rhythms, razor-sharp articulation, lively melismata, and high soprano notes will certainly be in for a treat with the sacred choral composition Cantate Domino by Pascal Martin...

This extraordinary work by renowned composer Kurt Bestor has established itself as one of the truly remarkable additions to choral repertoire in the '90s. It has been performed by many of the finest c...

Sixteenth-century composer Lodovico Viadana created this wonderful work that is now a choral performance classic, performed regularly by choirs throughout the world. Earlene presents this new setting...

Coro SAATBB

La Missa Papae Marcelli de Giovanni Pierluigi da Palestrina es una de las obras más famosas del Renacimiento. Y no es sólo el mito de principios del siglo XVII de que esta pieza "salvó" a la música sa...

This sophisticated, jubilant setting of a macaronic text by Kevin Crossley-Holland begins with an emphatic opening refrain before setting off on a sprightly dance through fluctuating 2/2 and 7/8 time...

Commissioned by Ralph Woodward and the Fairhaven Singers in memory of Dora Kemp, one of the choir's sopranos, God is Light sets lines from Psalm 139, 1 Thessalonians, and 1 John. It moves from an unse...

Victimae paschali laudes is an atmospheric arrangement of the traditional plainsong melody for this Latin text for Easter Sunday. Changing metres enable an authentic presentation of the plainsong styl...

Lightly come or lightly go is a playful setting of James Joyce's poem of the same name for SATB double choir. The second choir carries the titular words as an arching ostinato, while choir one present...

This is a declamatory setting of a popular Easter text by Gerard Manley Hopkins in an upbeat 7/8 metre. Featuring compelling interplay between choral sections, a slower reflective passage, and a rousi...

One of McGlade's longer settings, As the hart begins simply, before expanding into a more complex central section with fluctuating time signatures and shifting tonalities. Ideal for advanced mixed-voi...

Setting Revelation 21: 1-5, this short anthem is in McGlade's typically fluid style, with harmonic twists, changing metres, and tempo fluctuations. With some divisi in the upper parts, it will be part...

This is an innovative, striking setting of the Magnificat text that is well suited to both liturgical and concert performance. The work celebrates the strength, character, and intelligence of teenage...

Commissioned by King's College, Cambridge, for the 2021 Festival of Nine Lessons and Carols, Cecilia McDowall's setting of this well-known fifteenth-century macaronic text is expressive and ethereal....

A reflection on the plainchant 'Assumpta est Maria' (originally for the Feast of the Assumption of the Blessed Virgin Mary), this setting tenders a festal feel through its dance-like metre and expansi...

Escrita para celebrar el 950 aniversario de la iglesia de Santa María Magdalena de Oxford, esta convincente composición para doble coro de la Missa brevis es adecuada tanto para la liturgia como para...

Mehrere Besetzungsmöglichkeiten: Chor, Gemeinde und Orgel, Schlagzeug ad lib. oder Chor a cappella, Schlagzeug ad lib.; Kombination mit den 3 kleinen Meditationen für Instrumente (V,Va,Vc,Hfe) BA6130...

Los textos latinos más conocidos, como la Antífona Mariana y el Cántico del Sol de San Francisco, han inspirado repetidamente a compositores a lo largo de los siglos. Las inquietantes composiciones co...

In this contemporary setting of the traditional text Hodie Christus natus est, the piece begins in a hushed, exultant manner marking the news that ‘today Christ was born’. The piece then slowly builds...

A setting of verses 7 and 8 of Psalm 57 (‘My heart, O God, is steadfast. I will sing and make music. Awake, my soul! Awake, O harp and lyre! I will awake the dawn.’) this work celebrates music’s impor...

O Gloriosa Domina is divided into three distinct parts: the beginning is in chorale style with sparkling harmonies and surprising chords throughout. A contrasting, fast and very rhythmic middle sectio...