Partituras de Música funeraria medio

Für dieses Instrument ist dieser Titel in der vorliegenden Tonart einfach zu spielen und klanglich wirkungsstark. Er wurde mit MusikerInnen der Universität Mozarteum und von namhaften Orchestern ausge...

Anrührend schöne Streicherklänge, aus denen sich eine Solobratsche klagend heraushebt - so beginnt die Trauermusik, die Hindemith anlässlich des plötzlichen Todes von König Georg V. in London komponie...

Experience the deeply moving expressive power of the Romantic era with Frédéric Chopin's renowned Funeral March in C minor, Op. 72/2 (posth.). This poignant work for solo piano captivates both perform...

Rückseitentitel: Festlicher Marsch

Rückseitentitel: Durch Hain und Flur - Prozessionsmarsch

Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauer...

Since the last movement of this piece, which is perhaps the most beautiful of Hindemith's pieces, is a chorale, a version for string instrument plus organ is the obvious work to publish. Thus, 'Trauer...

'Ein Schiff, das hinter dem Horizont versinkt, ist nicht verschwunden, man kann es nur nicht mehr seh'n.' Die Komposition 'Tröstlicher Abschied' vertont diesen Text mit ihrer farbigen Harmonik und dem...

'Ein Schiff, das hinter dem Horizont versinkt, ist nicht verschwunden, man kann es nur nicht mehr seh'n.' Die Komposition 'Tröstlicher Abschied' vertont diesen Text mit ihrer farbigen Harmonik und dem...

Heinrich Poos is not the first composer inspired by Friedrich Gottlieb Klopstock's poem 'Die Auferstehung', as even Gustav Mahler had already used these verses in the fifth movement of his Second Symp...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Das Requiem von Marco Enrico Bossi ist eines seiner bedeutendsten geistlichen Chorwerke und verdient wiederentdeckt zu werden. Marco Enrico Bossi ist der bekannteste italienische Orgelkomponist und -v...

Para muchos cantantes corales, Jesu, meine Freude BWV 227 no es uno, sino el motete de Bach. Y, en efecto, entre las obras excepcionales que deben calificarse los motetes de Bach en su conjunto, es un...

Inmersa en la música coral sacra desde una edad temprana, Kerensa Briggs aprecia profundamente la conexión entre la música y la fe, así como una comprensión innata de la composición para voces. La com...