Partituras de Música para Pentecostés medio

The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. The Latin text is taken from the Graduale Romanum. The pieces are suitable for intermediate stan...

A serene setting of Luke 4: 18-19 (English text), suitable for Pentecost and general use.

Choräle aus Kantaten, aus der Sammlung Choralgesänge und der Motette Jesu, meine Freude BWV 227. Sopran-Blockflöte in c, Alt-Blockflöte in f,g, Blockflöte-T - Spielpartitur

This piece was commissioned by Merton College, Oxford for the Merton Choirbook, a collection of choral music composed to celebrate the 750th anniversary of the college in 2014. It is a setting of some...

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...

The 'organ plus' one series was conceived primarily with semi-professional church musicians and instrumentalists in mind. Based on the liturgical year, the pieces can be readily performed in church se...

La génesis de la cantata Wer mich liebet, der wird mein Wort halten BWV 59 es un tanto enigmática. Las partes conservadas atestiguan una interpretación el 1 de Pentecostés de 1724, pero la partitura f...

después de la 2ª versión de Bach

La cantata de Pentecostés Erschallet ihr Lieder fue compuesta para la primera festividad de Pentecostés en 1714 y se representó varias veces en Leipzig en versiones ligeramente diferentes. Están docum...

La cantata de Pentecostés "Erwünschtes Freudenlicht" BWV 184 se basa en una composición de Köthen, presumiblemente una cantata de felicitación, cuyas partes instrumentales (las únicas que se conservan...

Pfingstsequenz - In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen au...

En esta obra se encuentran los modelos salzburgueses de Mozart en lo que respecta a la música eclesiástica. El contraste entre solo y tutti y las breves secciones imitativas recuerdan a Leopold Mozart...

Pfingstsequenz - In diesem Werk findet man die Salzburger Vorbilder Mozarts im Hinblick auf die Kirchenmusik. Der Kontrast zwischen Solo und Tutti und die kurzen imitatorischen Abschnitte verweisen au...

Are you looking for a contemporary a cappella motet that touches both heart and soul? With "O Lux Beatissima," published by Hinshaw Music, you can present your audience with an outstanding choral work...

A setting of the most famous passage from the Book of Ruth (Ruth 1:16-17) opens with a gentle polyphonic section for the chorus. The soprano joins the choir for the twice-repeated middle section of th...

This anthem is the final portion of a 'Gloria' taken from one of Lotti's masses, and is a lovely example of his use of imitation. It's scored a cappella, but instruments could easily and effectively d...

Uses: General, Pentecost, Trinity Sunday Scripture: I Samuel 2:2; Psalm 99; Isaiah 6:3 The subject of God's faithfulness and worthiness is surrounded by emotive music, rich with harmonic color and mel...

Uses: General, Pentecost, Trinity Sunday Scripture: I Samuel 2:2; Psalm 99; Isaiah 6:3 The subject of God's faithfulness and worthiness is surrounded by emotive music, rich with harmonic color and mel...

A choice piece for Pentecost

For Pentecost season, this reverent work can be performed with a flute or any other 'C' instrument

A piece for Pentecost by Johann Christian Bechler, edited for the Moravian Music Foundation series by the foundation's director, Dr. Nola Reed Knouse.

Another lovely (and accessible) anthem from Robert Lau. Try it during Pentecost, for Christ the King, Communion, or general use.

A marvelous combination of two hymns, this anthem would be successful for Ascension, Pentecost, or general use.

A fabulous anthem for Pentecost