Partituras de Nikolai Kapustin para descargar

In the virtuosic Capriccio op. 71, composed in 1992, Kapustin returns to twelve-tone compositional techniques. Suitable for pianists looking for repertoire between modernity and jazz that sound like h...

The Allegro movement "Nothing to Lose" was composed by Kapustin in 2004 and is now published for the first time as a sheet music edition.

Kapustin dedicated the piece "Countermove" to the Canadian pianist Marc-André Hamelin, who had released a complete CD of Kapustin's works in 2004. Kapustin himself later recorded "Countermove" for the...

Kapustin developed this scherzo from a short fun idea. The notes of the piano piece, which was already composed in 1999, now appear in print for the first time.

Kapustin compuso el rondó "Vanidad de vanidades" op. 121 en 2004 y luego lo grabó para su CD "Kapustin Returns!", publicado en Japón en 2008.

Kapustin compuso los "Two Etude-like Trinkets" op. 122 en 2004 y más tarde las grabó para su CD "Kapustin Returns!", que salió a la venta en Japón en 2008.

El Tema y Variaciones op. 80 de Kapustin fue compuesto en 1996.

Nikolai Kapustin compuso el Impromptu op. 83 en 1997 y más tarde lo grabó para el CD "Last Recording", que salió a la venta en Japón en 2004.

Tres para dos. Tríptico para 2 pianos op. 145 fue escrito por Kapustin en 2012 para el dúo de pianos japonés PiaNA, formado por Natsuki Nishimoto y Asuka Matsumoto.

This challenging piece for viola and piano in the jazz idiom was completed in 2015. An excellent addition to the repertoire of advanced students, the piano accompaniment is also of an advanced difficu...

Nikolai Kapustin draws from various influences in many of his compositions by combining his modern tonal language with classical forms.

Burlesque is a jolly piece, starting with two lines of solo cello music (arco), which switches to pizzicato as the piano picks up the theme. The work parodies contrasting styles, abruptly juxtaposing...

Nikolai Kapustin, born in 1937, is regarded as pioneer of the Soviet jazz scene. In his music he combines typical jazz idioms with classical forms. The Sonata Op. 125 for flute and piano was written i...

Nikolai Kapustin is considered a pioneer of the Soviet jazz scene. His music combines typical idioms of jazz with classical forms. The Trio op. 86 for flute, violoncello and piano from 1998 is one of...

Nikolai Kapustins Divertissement op. 126 für Violine, Violoncello und Klavier stammt aus dem Jahr 2005. Das viersätzige Werk liegt nun erstmals in einer Notenausgabe vor.

Das Divertissement op. 91 für 2 Flöten, Violoncello und Klavier komponierte Nikolai Kapustin im Jahr 1998. Er nahm es selbst mit Alexander Korneev (Flöte), Marina Rubinstein (Flöte) und Alexander Zago...

Kapustin combina en esta obra su talento para las melodías oscilantes y las armonías improvisadas. Intrada and Finale es un reto para las formaciones de sexteto, pero encanta a los músicos y al públic...

Nikolai Kapustin's Allegro is a thrilling single-movement work for piano trio, bursting with energy and replete with additive rhythms and characteristic jazz-inspired dissonances. It would make a grea...

Nikolai Kapustin, born in 1937, is regarded as pioneer of the Soviet jazz scene. In his music he combines typical jazz idioms with classical forms. Sonata Op. 69 for viola and piano was written in 199...

Virtuoser Jazz in klassischer Form: Nikolai Kapustin (geb. 1937) ist ein exzellenter Jazz-Pianist, Arrangeur und Komponist. Das Stück Elegy entstand im Jahr 1999 zusammen mit zwei weiteren Werken für...

Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas f...