Partituras de Orquesta de viento de Arrangers Publishing Company

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Jay began writing FANFARE at 35, 000 ft. during a transatlantic flight. Contemporary harmony, dignified and heroic melodies, and interesting percussion make this a great choice for a concert opener or...

Larry Kerchner crea un momento sereno y hermoso en este encantador arreglo. Especialmente atractivo para las bandas más jóvenes, este arreglo está escrito con sólo dos partes de clarinete y dos partes...

Incluye: We Three Kings of Orient Are - Villancico ucraniano de campanillas

La serenidad apacible es la mejor descripción de este precioso arreglo de Tom Wallace.

Uno de los mejores números de festival de Jay para bandas jóvenes. Se trata de una trilogía rápida-lenta-rápida de tres conocidas melodías tradicionales: Bonaparte's Retreat, Simple Gifts y The Eighth...

Este ingenioso y atractivo arreglo de Jeff Simmons fusiona "El primer Noel" y el "Canon en Re" de Pachelbel.

Se oye todos los años y a todo el mundo le encanta este éxito navideño de Paul McCartney. Además de ser muy fácil, el arreglo de Jay es una pieza didáctica realmente buena.

Una obra coral lírica y conmovedora de John Rutter expertamente arreglada para banda de concierto por Jay Dawson.

Un ritmo fresco y moderno impulsa el tratamiento creativo de jazz-waltz de esta maravilla navideña.

Una adaptación contemporánea del tradicional villancico británico produce un momento festivo mágico con fugaces patrones rítmicos combinados con ligeros toques de jazz.

Larry Kerchner crea auténtica diversión navideña en esta versión bluesy del clásico navideño hecho famoso por Mariah Carey e incontables otros.