Partituras de Orquesta de viento de G. Schirmer

Depicting the beautiful landscapes of the San Andreas terrain in Palm Springs, CA, this programmatic work from Rossano Galante begins with a sparkling introduction mirroring the sun exploding out of t...

Depicting the beautiful landscapes of the San Andreas terrain in Palm Springs, CA, this programmatic work from Rossano Galante begins with a sparkling introduction mirroring the sun exploding out of t...

Immerse yourself in a captivating world of sound with "Whispers From Beyond," published by the renowned G. Schirmer. This impressive work for concert band unfolds a mystical, deeply touching atmospher...

Comprised of two main themes, Liberty strives to capture the essence of Americana. The first of the two themes is stated by a trumpet duet, then later the full ensemble. The second theme is robust and...

Comprised of two main themes, Liberty strives to capture the essence of Americana. The first of the two themes is stated by a trumpet duet, then later the full ensemble. The second theme is robust and...

Comprised of two main themes, Liberty strives to capture the essence of Americana. The first of the two themes is stated by a trumpet duet, then later the full ensemble. The second theme is robust and...

Grades 4-5

Setting by Ralph Vaughan Williams, Edited by Robert Grechesky. Grades 4-5.

Version for Concert Band (grades 4-5) by James Curnow.

Written in a grand film score style, this magnificent work opens with a dynamic fanfare featuring soaring brass and woodwind flourishes. Descriptive and evocative with every phrase, including a beauti...

Composed in the style of a grand and descriptive film score, The Last Centaur is a musical depiction of a centaur who is separated from his family by war, the ensuing adventures, and ultimate reunion...

Concerto for Percussion and Wi...

Grades 4-5

Paul Creston's Concertino Op. 21B for Marimba and Band.

Although fairly brief in duration, this exciting overture features plenty of power and musical depth. Originally a work for brass quintet, it wasn't until many years later that the full band version t...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...