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From the collection Epiphany to All Saints for Choirs, this Matins canticle has a text based on verses from Isaiah. Scored for SATB unaccompanied with soprano and tenor solos, it is most suitable for...

From the collection Epiphany to All Saints for Choirs, this lucid antiphon for the Epiphany is here edited by Timothy Morris. Scored for SATB unaccompanied and including a piano part for rehearsal pur...

Originally published in Epiphany to All Saints for Choirs, this anthem for All Saints' Day features all the hallmarks of the sixteenth-century polyphonic style. Includes both Latin and English singing...

Originally published in Epiphany to All Saints for Choirs, this antiphon for All Saints' Day features all the hallmarks of the sixteenth-century polyphonic style. Includes both Latin and English singi...

The Cherubic Hymn' is a hidden gem from Rachmaninov's Liturgy of St. John Chrysostom, perfect for Trinity Sunday. With flowing melodic lines, exquisite harmonies, and a contrasting second half, the re...

The composer has combined a single line of Latin, 'O virgo splendens', with an earthy, late 13th-century Marian text in Middle English to create a work which reflects both the divine and the human qua...

The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. With its valedictory message, it would make a fitting end to a performance, perhaps as an encor...

Scored especially for ATB to meet social distancing requirements, this piece has both special resonance and practical application in these uncertain times. McGlade's characteristic unaccompanied style...

This reflective setting of an evocative text by Charles Bennett uses pastoral and romantic imagery to depict the beauty of a life free from the desire for worldly possessions. The music draws on the w...

This compact anthem for unaccompanied choir is the result of another successful collaboration between Bob Chilcott and the poet Charles Bennett. Well-crafted and tender melodic lines are shared betwee...

A lively and folk-like setting of a traditional Jewish song. These three folksongs are colourful, original settings well within the grasp of most amateur choirs.

An expressive setting of the text of a traditional folk hymn. An arrangement for men's voices is also available.

The classic setting by Grieg of the Marian hymn. An English singing translation is included.

A short, but eloquent setting of the eighth stanza of the hymn 'Pange lingua', and thus an effective Holy Week motet.

Arrangements of traditional American tunes. 'Sourwood Mountain' is also available in Encores for Choirs 1 and Folk-Songs for Choirs 1. 'Black Sheep' is also available in Folk-songs for Choirs 1.

A powerful and moving setting which was premiered in Westminster Abbey in November 1998.

This beautiful and much-loved Somerset folk-song is No. 2 of Five Traditional Songs arranged for mixed choir by John Rutter (ISBN 9780193437173). The enduring appeal of the song lies in the beauty of...

An unusual and dramatic anthem for SATB choir (with divisions) unaccompanied. The English verses, starting 'O sing unto the Lord a new song', are framed by the Latin first line 'Cantate Domino canticu...

Also in Carols for Choirs 3, and 100 Carols for Choirs.

These two numbers, 'Monday's Child' and 'Sing a Song of Sixpence', are taken from Five Childhood Lyrics, based on traditional children's rhymes and games.

This setting is taken from Five Traditional Songs.

The second of Stanford's Three English Motets Op. 135, this extended anthem boasts both impressive emotional range and textural ingenuity. Originally published in A Stanford Anthology.

A powerful commemoration motet for double choir with bold tonal and textural shifts, framed by outer sections in a deliberate archaic style. Originally published in AStanford Anthology.

Una colección de tres motetes latinos: 'Justorum animae', 'Coelos ascendit hodie', y 'Beati quorum via'. Publicado originalmente en A Stanford Anthology.